[Tony emerges from the cave wearing the Mark I armour. The terrorists yell and open fire, but their bullets just bounce off the suit. Eventually they stop shooting] Tony Stark: My turn. [unleashes his flamethrowers]
Rory Breaker: What did you shoot him with, an air rifle? Winston: Look, we grow weed. We're not mercenaries. Rory Breaker: You don't say.
Caroline Crabb: Sold your gunfighter outfit? Turning in your gun? Jack Crabb: Well, sorry, Caroline. Caroline Crabb: There's ain't nothin' in this world more useless than a gunfighter who can't shoot *people*!
Noah: Summer romances begin for all kinds of reasons, but when all is said and done, they have one thing in common. They're shooting stars, a spectacular moment of light in the heavens, fleeting glimpse of eternity, and in a flash they're gone.
[last lines] Cheyenne: Hey, Harmonica - when they do you in, pray it's somebody who knows *where* to shoot... Go away... go away... go away, I don't want you to see me die.
ED-209: [seeing RoboCop drive up to the OCP entrance] You are illegally parked on private property. You have twenty seconds to move your vehicle. [Just as it gets ready to shoot, RoboCop uses the Cobra rocket launcher to destroy the ED-209]
[Sullivan has a gun to Kelly's head] Jack Kelly: Think, Mike. Don't be stupid. I'm just the messenger. Michael Sullivan: [lowers his gun] Then give Mr. Rooney a message for me. Jack Kelly: What is it? [Sullivan shoots him]
[Shaun hits the zombie pub owner with the butt of the rifle] Ed: Why didn't you just shoot him, man? Shaun: Ed, for the last time... [Shaun squeezes the trigger of the gun, and it actually fires!] Ed: [gleefully] I fucking knew it!
Ed: [Directing Shaun on where to shoot] There! Shaun: Where? Ed: Three o'clock! Dianne: Oh! Over there again. Quarter to twelve. Shaun: What? David: Eleven forty-five! Shaun: Keep it simple! Ed: Top left!
Ayel: Your species is even weaker than I expected. [chokes Kirk] James T. Kirk: I can't... Ayel: You can't even speak! [Kirk garbles] Ayel: What? James T. Kirk: I got your gun! [shoots Ayel]
Sheila Broflovski: Nooo! [shoots Terrence and Phillip with a gun] Kyle: Holy shit, dude! Sheila Broflovski: Young man, you watch your mouth. [blood oozes out of Phillip's body]
[Rooster is caught under his horse; as Ned starts to shoot him, La Boeuf fires from the ridge and hits Ned's horse; Ned falls dead] Mattie Ross: Hooray for the man from Texas! Some bully shot!
Clifford Worley: 'Cause you, you're part eggplant. [all laugh] Vincenzo Coccotti: Ohhh! Clifford Worley: Huh? Hey! Hey! Hey! [motioning with his hand three times] Vincenzo Coccotti: You're a cantaloupe. [shoots Cliff in the face]
Lori: Doug, honey... you wouldn't hurt me, would you, sweetheart? Sweetheart, be reasonable. After all, we're married! [Lori goes for her gun, Quaid shoots her in the head, killing her] Douglas Quaid: Consider that a divorce!
Little Bill Daggett: I don't deserve this... to die like this. I was building a house. Will Munny: Deserve's got nothin' to do with it. Little Bill Daggett: I'll see you in hell William Munny. Will Munny: ...Yeah... Will Munny: [Shoots Little Bill in...
[Sending English Bob on his way after beating and jailing him] Little Bill Daggett: I suppose you know, Bob, if I ever see you again I'm just going to start shooting and figure it was self-defense.
I was fooled a bit during 'Laguna Beach.' I was 17, 18 years old, and I thought they just wanted to shoot a documentary, and that it probably wouldn't end up anywhere, anyway. Little did we know about the power of editing. I had no idea that it was g...
I figured there's nobody who's going to beat me or shoot me or crucify me. I can't help if people don't like me up there in Washington. I've got a district that I respect, and I think it respects me.
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothi...
Sometimes we see the Civil War in movies and imagine these neatly aligned rows of men with muskets, walking in line to shoot each other. In reality the things that fascinated me were how absolutely ruthless and violent so many engagements were, how m...
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off...
