Part of the problem is when we bring in a new technology we expect it to be perfect in a way that we don't expect the world that we're familiar with to be perfect.
If your goal is anything but profitability - if it's to be big, or to grow fast, or to become a technology leader - you'll hit problems.
If someone is not treating you in a way that you like, remember that there are so many nice people out there. The problem is that when you love someone, you make excuses for that kind of behavior.
I'm always swimming forward like a shark. You just keep going and you don't rest. I love waking up knowing that I have a problem to solve.
It's so often that I read for the bouncy, sunny girl men fall in love with who will solve all the romantic problems in the narrative. I don't choose to work that way.
I am not facing the problem of emigration. I want my music to be acknowledged here first of all, in this country: after that, we shall see - perhaps the question will than become urgent.
Drawing and visual pursuits were first. Music came and found me in a way. Really, what it's about is creative problem solving, and music is a lot more an expression of that than painting is for me.
The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
I believe singing should be like being an actor. People shouldn't have any problem buying an actor being in a comedy or a drama or a horror film. That should be the same way with music.
You rarely find someone who sings really well and who produces really well; it's a problem, and I just think it's a missing link in the music scene.
There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.
I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.
The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
With Geoffrey, it was the first time we did music together, we understood that everything could be well, and without any problem. And we didn't need to rehearse too much.
Harvard Medical School, the University of South Florida and the American Psychiatric Association have all conducted studies showing that the earlier one begins gambling, the more likely it is he or she will become an addicted, problem gambler.
I was so obsessed by this problem that I was thinking about it all the time - when I woke up in the morning, when I went to sleep at night - and that went on for eight years.
What's problematic about playing stadiums and driving around in private jets and drinking champagne at 8 o'clock in the morning? What's wrong with that? I haven't got a problem with that. I can't fathom why people would.
The problem men seem to have, and women, too, is that they have this very structured idea that we should find a partner and settle down and be, you know, faithful. And yet clearly this is really, really hard for anybody to do!
If there's one thing white men have never had a problem with in this clubby, white marble enclave of Washington, it's getting pulled up the ladder by other men.
