When I was growing up my mother would say, 'Your dad may have to learn about being a father because he lost his own and that would have affected him'.
I like entertainment and think mastery is good, though I don't feel like a master. If a theme means having a story that's legible, then that's certainly what we do. But we don't treat design as an add-on layer.
When I concentrate on a specific site or place for which I am going to design a building, I try to plumb its depths, its form, its history and its sensuous qualities.
The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.
Access to high-quality education is way too limited. The United States has the world's most admirable higher education system, and yet it is very restrictive. It's so hard to get into. I never got into it as a student.
There are bad people and there are bad corporations. Just as there are good people and good corporations. That might seem too black and white, but what can I tell ya?
Because one of the benefits of getting older, I guess-there are very few benefits, really - most of them are a pain in the butt. People depend on me more; they believe in me more, they think I'm good.
Nature is pretty good at networks, self-organizing systems. By contrast, social systems are top-down and hierarchical, from which we draw the basic assumption that organization and order can only come from centralism.
Playing hard to get is not the way to win me over. I'm definitely more for the girl who can smile and laugh all the time and just have a good time!
There's lots of incredible roles out there that I'd love to tackle, but there's a select group of actors I find myself gravitating towards, like Philip Seymour Hoffman or Sean Penn or Daniel Day-Lewis - real transformational actors.
Philip Edwards: Sometimes the shepherd needs the comfort of the sheep. Elena Hood: I'm going to try hard not to understand the implications of that.
Philip Edwards: Perhaps you find in books what I try to find in people. Elena Hood: That sounds vaguely like an insult.
Newscaster: Is Terrance and Philip affecting America's youth? Here with that report is a midget in a bikini.
I'm currently working on a romantic comedy between me and Philip Seymour Hoffman. So my next step is to write something so mind-blowingly spectacular that he has no other choice but to agree to do it! Wish me luck.
In 1995, I founded The Molecular Sciences Institute with a gift from the Philip Morris Company where I hoped that we could create an environment where young people could pursue science in an atmosphere of harmonious purpose and high intellectual chal...
I think I've always had a certain amount of skepticism of this whole 'shut up and smile' theory. I haven't ever swallowed that pill so easily, although I tried.
Have you seen these Japanese hospital droids, or humanoids, or whatever they call it? They've perfected the skin, and the skin looks so real. They have these motors between the eyes for when they smile. It's just mind-blowing.
What do I like in a girl? I like a girl that likes me, a girl that knows how to smile and see the bright side of things. A girl that makes me a better person.
I come from a place where everything about me, even my body language, is saying: I mean you no harm. I smile, I laugh. Basic stuff for most people.
I could be hit by a Sara Lee truck tomorrow. Which is not a bad way of going: 'Richard Simmons Found in a Freeway in Pound Cake and Fudge, With a Smile on His Face.' Let's face it. We don't know anything.
A museum is like a valuing machine. Museums and the industrial society started at the same moment, and they're really tied into each other. They've been all about displaying objects and the kind of wealth that can be derived from objects and promotin...