But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.
In all big cities the style of life is the same. Same endless array of restaurants; same big museums with the usual suspects; same anonymity, which can be thrilling when you're young but which I found got tiresome.
I love Aerosmith. I love Guns N' Roses, AC/DC, anything from that era, Led Zeppelin. So my guitar style is very much like Slash or Jimmy Page. I love playing that kind of music. It's where my heart's at.
Cinema dominated the Fife coalfield towns. We lived in Lochgelly, but my mum was caught up in Hollywood. She was in love with the style and glamour. Sometimes she would come with me to the cinema in the afternoons, and she would say things like, 'I w...
She's like a Barbie, then she wants to be a superhero, or coming out of a spaceship and everything's pink. She makes a certain move that's ghetto hood mixed with a little robot so its like I'm evolving Nicki Minaj and developing her style. She's fear...
I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
I don't repeat that many styles if I can help, although some have become classics. I try not to repeat. I'd rather surprise people.
Growing up, I just wore whatever fit. I was going through crazy growth spurts, so I could never really take my style too seriously.
Just watching the people on the streets of N.Y. is inspiring; there are so many styles and unique points of view. Fashion is very much inspired by the streets, has always been, and I'm sure it will continue to do so.
I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
I shed many a tear when the steam engines went out of style on the railroads. I'd like to seem them come back, but I realize the diesels are more efficient.
The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognizes neither pity nor pitilessness.
I have an image of what a British gentleman looks like, and that image finds real expression in Prince Charles. He is beyond fashion - he is an archetype of style.
After watching films of Jim Brown, I noticed that he never ran out of bounds. He always ran North and South and that's what I turned my style into. I was a North and South runner.
I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.
I don't play big stadium-style dance, but I have discovered, to my delight, that the appetite for real low slung deep house is very much alive.
My speaking style was criticised by no less an authority than Arnold Schwarzenegger. It was a low moment, my friends, to have my rhetorical skills denounced by a monosyllabic Austrian cyborg.
Diana Ross is a big inspiration to all of us. We all grew up watching everything about her - her mike placement, her grace, her style and her class.
Jackie O was so capable in so many ways. Hillary tried to redefine the role when she got into public policy, and Michelle Obama is able to move smoothly between form and function, style and substance.
