I know this: there is no sense to grief. There is no pattern or shape or texture, and there are no books or stories which can lessen the pain at losing a person you have loved, and will always love. There are no rules, with loss.
I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I thin...
Every true love and friendship is a story of unexpected transformation. If we are the same person before and after we loved, that means we haven't loved enough.
People still make me nervous, but gradually over the years I've developed kind of like a public personality, so I can talk. I have my spiel, I have my stories.
Personally, I am thrilled that I can now let my characters clasp a rosary, mention confession or invoke the intercession of a saint without it being edited out of my story.
I have heard all kinds of stories about telling employers about MS and I really don't know what the answer is. I am a private person, but I have found support by talking to fellow MSrs in the community.
If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.
'Freaks and Geeks' was my favorite show when it was on, by a wide measure. And that's the show I wanted to do. I noodled with the idea of doing a show about teenagers that told small stories, small moments of personal growth.
You see the images that the public is demanding. Why more reality-based TV? You'd think that after the first Survivor it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories, and want to se...
I'm a very traditional person. The tattoos are about my grandmother dying and they tell the story about my mother and father, my brothers and my sister, my kids. It's pretty much a family tree on my arm with my life in football too.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and...
When we were first offered a book deal prior to Avon's, they were trying to get us to change it from the first-person story into a how-to book, and they were offering us some decent money. My agent told me; 'you should really consider this'.
As an actor, to go and see those shows - great plays like 'Who's Afraid of Virginia Woolf?' and Clifford Odets's 'Golden Boy' - it's so exhilarating. I'd personally love to perform the role of Jerry in Edward Albee's 'The Zoo Story.' He's a transient...
I come to writing from hearing great stories as a child in Louisiana, where the mark of a person was his or her ability to be a raconteur. I also come to writing as a professional actress whose body has been trained to listen and smell and inhabit ch...
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
I was very pleased with the way that the show ended creatively and personally. It just feels like we've completed the piece. And now to be able to step back a little bit and look at it from beginning to end, I feel good about the complete story that ...
Shows like 'Sex and the City' got women involved again in a political way. They were drawn into the personal stories of the four women who together make up one complete cosmopolitan woman. We want to have community, and the show filled that void in o...
I got through with my ability to mimic others and make people laugh. I swaggered through life, but, in reality, I lived in fear pretty much every day. I acted like a completely normal person, and I suppose I was good at it. But, inside, it was a very...
In my father's generation, the product was 80 percent of what you were putting into the world, and your personal life was 20 percent. It now seems that 80 percent of the product I put out is silly, made-up stories and what I'm wearing.
There are two sides to me. One is the writer. That's a savage person who looks at everything as a story and, you know, wants to use real life in his books. The other part is the Midwesterner, who, you know, wants to say nice things about people and b...
Every first thing is always a miracle. The first person you fall in love with. The first letter you receive. The first stone you throw. And in my conception of the novel, the letter becomes important. But what's more important is the fact that we nee...
