If you're going to do Shakespeare, do Shakespeare. There's a reason why he's been performed for hundreds of years. His words affect people on a very deep level. He's the true humanist. That all comes through his text, his words.
I have not written a perfect sentence, in the literary sense. It's a lot easier to throw a perfect pass than to write a perfect sentence, if that sentence is meant to perform more than a mechanical function.
The voices of moral authority in the theatre demanded only punctuality and physical performance. In the light of continuing pressure and stress, the occasional lip service paid to moderation was meaningless. Starvation and poisoning were not excesses...
Detroit is drunken idiots. It was no surprise to me. I performed with Kenny Rogers for one year as his opening act, and I got to visit every major American city and notice the audience, and Detroit was one of the worst.
One day. I was putting on a hill in Zurich, and a few hundred yards away, Diana Ross was doing a sound test at an arena for a performance that night of 'Take My Breath Away,' my song with her. That was a very nice game, an incredible feeling.
I go to a lot of rap shows and sometimes take what they do from a performer's aspect, how they interact with the crowd. I always have a DJ with me on the road, as well as some dancers.
The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
I did find it particularly difficult to do Broadway. It was not my favourite way to perform. When I do theatre, I like it to be smaller. I like the audience to be closer; I like it to be less presentational.
Even though reality TV is very manipulated, it's all manipulated so that something real happens. And so, our job in this era is to make that real thing happen, because nobody wants to see any more manipulated, pre-planned performances. That era is ov...
Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
A hundred years ago, of course, the question that the German Composers' Co-operative asked itself sounded a lot more fundamental: How do you create a fair share for those who ensure that works can actually be performed at all?
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
In the days when corporate downsizing was all the rage, Wall Street took a lot of flak for judging companies too harshly and setting the bar for corporate performance so high that executives felt their only option was to slash payrolls.
There are certainly valid reasons for taking a company private, and it's also possible that C.E.O.s perform better when monitored by a small number of owners in a private company rather than by the dispersed and often uninterested shareholders of a p...
Well, I would definitely give up performing... But I would still sit down in an office and pretend to write with Dawn, even if we never produced anything, because it's just hilarious. I would miss that.
It is essential that we put an end to steroid abuse and set a better example for aspiring young athletes to follow, so that some day, when they make it in the All Star Game, it will be because of their own natural talents, and not because of a perfor...
I explain to athletes, you're supposed to be a well-oiled machine. You're supposed to be in better shape than the people watching you. You're supposed to be an unbelievable specimen of a human being. You have to treat your body different while you're...
Being a reporter and chasing down an assignment isn't an easy thing to do, especially when you're dealing with athletes that are so focused and trying to get their little game plan together to perform under adverse conditions... it's tough.
Many writers secretly long to be performers. You always get the 'if you weren't a writer' question. I would be a back-up singer, to stand in the back and go like 'do, do, do.'
We need to build on what we know works - local oversight of schools to keep a check on performance, timely interventions in schools to support those at risk of failing, and partnerships between schools to help each one to improve.
You have to be a well-rounded leader. You can't fly by the seat of your pants anymore. You have to be incredibly tough-minded about standards of performance, but you also have to be incredibly tenderhearted with the people you're working with.
