The studios basically, besides developing some material, their strength is distribution. Distribution in any other business is a cost that you incur. You know, in a trucking business, you eat it. In a film business, distribution is a profit center.
Finding creative and effective ways to simultaneously give back and economically empower people is something that is increasingly important. Not everyone can open a business and directly create jobs in the way that we have at Red Rooster Harlem.
I've lived all over the world, but Harlem is very special to me, and when I decided to open a restaurant near my home, I didn't want it to be business as usual.
Just like if you were brought up on a farm, you would most likely carry on your father's business as a farmer; I was brought up in the kitchen and ended up becoming a chef.
I always vote for the guy I think can get it done. And it ain't nobody's business who I vote for, but I voted for Clinton twice. And that just blows people's minds when they hear that.
I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.
Hopefully, my teammates will say that I was important and that I gave it everything and I didn't leave anything to chance my whole career. To be mentioned as Hall-worthy is a great thing.
A single agency responsible for systemic risk would be accountable in a way that no regulator was in the run-up to the 2008 crisis. With access to all necessary information to monitor the markets, this regulator would have a better chance of identify...
Psycho 11 and III say, in effect, there's no way to survive with a psychological problem. If you've got it, the law can keep you locked up because there's no chance for cure.
We are able to find everything in our memory, which is like a dispensary or chemical laboratory in which chance steers our hand sometimes to a soothing drug and sometimes to a dangerous poison.
We are all agreed that your theory is crazy. The question which divides us is whether it is crazy enough to have a chance of being correct. My own feeling is that it is not crazy enough.
The chances of each of us coming into existence are infinitesimally small, and even though we shall all die some day, we should count ourselves fantastically lucky to get our decades in the sun.
But if we begin thinking about the world being over 100 million years old, then it's absolutely by chance that you and I are sitting here alive today, while all the others are dead or have never been born.
I have been in teen shows for years, so doing that stuff - kissing - is kind of commonplace and not a big deal. It was way more cool just because it was Meg Ryan.
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
I throw a leather biker jacket over everything. It adds an instant downtown cool vibe and stops a look becoming too girlie. Bonus points if you wear it like a cape!
When I decided to launch my first knitwear line, it was because I saw a void in the basics category. The editors were always looking for cool, fashion-forward tees and sweaters. So that's where I started.
I've never won an award for anything, and I think it's weird. I mean, that's really cool but it's strange to think you could get an award for acting. I always thought that was strange.
I think the radio is kind of cool, because you're really free to do whatever you want, because you can go into another world. Whereas in TV, you have to make that world.
I did this one scene in an episode of 'General Hospital', and that was my first job down in L.A. It was, like, my second audition, and I was like, 'Woo! This is easy! This is fun!' That was a really cool moment for me.
It's weird, but Scion is kind of cool. I couldn't drive one because I'd look like one of those McDonald's Happy Meal toys with giant heads sticking out the window.
