A blanket could be used in a secretive manner. What? I can’t just tell you how it could be used. What part of secretive don’t you understand?
Death is part of who we are. It guides us. It shapes us. It drives us to madness. Can you still be human if you have no mortal end
But you're an artist. you should know there's more to a story than the part happening right now.
Even with, or perhaps, because of, this background, I have over the past few years sensed a very dramatic change in attitude on the part of Prince Edward Islanders towards the on-going rush for so-called modernization.
I think it has other roots, has to do, in part, with a general anxiety in contemporary life... nuclear bombs, inequality of possibility and chance, inequality of goods allotted to us, a kind of general racist, unjust attitude that is pervasive.
I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.
I never grew up thinking the goal in life was to be a millionaire. All the way through college, I had a part-time job. I worked hard to get the things that you need at that age.
The advent of the digital age and the immediacy and convenience of digital video and photography allows people to become an integral part of the feedback loop which actively shapes the content we are fed.
I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.
I was a dancer from a young age. My parents were dancers; we were taken to a lot of ballet as children. It occurred to me that what I liked more than dancing the steps was acting the story of whatever particular performance I was taking part in.
I think at the age I'm at, it's really hard for a film career, and I'm at a point in my life where I thought it would be a good idea to be a part of a good show and to be able to finish school.
I don't think that the movie industry is any more ready than any other part of the information industries to adapt itself to the information age. But it's going to go there one way or the other.
I wanted to do my part to help preserve that golden age of travel... I step aboard The Patron Tequila Express railcar, and I go back in time to the days when a long journey was something fun and very special.
From the earliest age, I was just different. I think that's part of every writer's little revenge. You think, 'I'm not a blonde, blue-eyed cheerleader but I'm going to get out of here and do something.'
I want to be part of the resurgence of things that are tangible, beautiful and soulful, rather than just give in to the digital age. But when I talk to people about this they just say, 'Yeah, I know what you mean,' and stare at their mobiles.
My mother enjoyed old age, and because of her I've begun to enjoy parts of it too. So far I've had it good and am crumbling nicely.
Music has always been a huge part of my life from a very young age, and today it remains a very powerful and natural way for me to connect with people, as well as my children.
When I was working on Eye of the Beholder, I played a character who is so aloof that my whole lifestyle became very aloof. If someone knocked on my door, there was a part of me that went into a rage, because I wanted to be isolated and alone.
We're born alone. We do need each other. It's lonely to really effectively live your life, and anyone you can get help from or give help to; that's part of your obligation.
Ants can live together in solidarity and forget themselves in the community. In a normative capitalist society, everyone is an egoist. In the ants' civilization, you are part of the group; you don't live for yourself alone.
