There's an abiding interest by the United States, by the American people, and by anybody with his eyes set in his head, to prevent Iran from developing nuclear weapons.
I can't believe Tina Turner actually was on the same stage. I can't believe I set foot on the same stage, and it's going to be an album, people are going to buy it, and it's going to be a video.
I'm trying to set up opportunities for myself so that I don't only have one outlet to go through and rely upon as far as a support system financially, emotionally and mentally.
With red clay between my toes, and the sun setting over my head, the ghost of my mother blows in, riding on a honeysuckle breeze, oh lord, riding on a honeysuckle breeze.
2005 opens with the promise of a number of substantial direct private investments that can swiftly transform the economy and set all sectors on a pronounced upward curve.
It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
You can become an even more excellent person by constantly setting higher and higher standards for yourself and then by doing everything possible to live up to those standards.
Any teammate of mine that had a kid and a boy that was capable of playing baseball, I think I set a terrific example of 'Don't do this' and 'Don't do that.' And that's one of the things that I'm most proud of.
A three year old child is a being who gets almost as much fun out of a fifty-six dollar set of swings as it does out of finding a small green worm.
In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.
'The Black Prism' is a story of emperors and prisoners and magic set in a Mediterranean, 1600-esque world. It's a fantasy story; it's fast and fun and inventive.
I've given up on trying to explain myself, or trying to set the record straight, or trying to get people to understand what I'm really like as a man, outside of my acting, outside of my job.
In the same way that a mundane object can have a personality somehow, I try to suggest that a mundane setting can have some menace behind it.
There is nothing less to our credit than our neglect of the foreigner and his children, unless it be the arrogance most of us betray when we set out to 'Americanize' him.
A lot of producers now are people who stay in their office and never go to the set. I don't know how you can be the advocate of the movie if you're not there in it every day.
Some comics don't like it when people talk during the set, and it does get a little bit annoying after awhile, but I basically let people dictate what jokes I'm going to do.
Setting goals can blind you to opportunities. You might be trying to get to point C. When opportunity B comes, you don't even look at it because you're going straight to C.
Ideology knows the answer before the question has been asked. Principles are something different: a set of values that have to be adapted to circumstances but not compromised away.
If you were to say to me that I couldn't paint, I would write. If I couldn't write, I would be a set designer. As long as I'm creating something, I'm happy.
Yeah, but on the U.S Tour we threw a new song into the set almost every night. Ofcourse, you can't do too many new songs every night as they've never heard it.
When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.