I was never interested in being powerful or famous. But once I got to film school and learned about movies, I just fell in love with it. I didn't care what kind of movies I made.
I never wanted to be famous. I want to be more famous than I am so I can get the roles. I hate losing the roles. I was famous more for being around people who were famous, and I hate that kind of fame.
We all have Tumblr, and we all have Instagram and everything. People care so much about it because, now, any random can be famous on the Internet if their world looks good on Tumblr. And so everyone at high school strives for this kind of aesthetic c...
I'm in that comfortable niche where I'm not that famous and sometimes people do need to put a barrier between them and their followers. When you're real famous you need to do that but I'm not that famous so I don't need that kind of barrier.
Anybody who has been seriously engaged in scientific work of any kind realizes that over the entrance to the gates of the temple of science are written the words: 'Ye must have faith.'
For some, the belief in a Young Earth seems to be based on a kind of intuition or faith in what they believe an omnipotent God should do. It reasons that if God is all powerful, then certainly He would not have taken millions of years to make the ear...
I feel no need for any other faith than my faith in the kindness of human beings. I am so absorbed in the wonder of earth and the life upon it that I cannot think of heaven and angels.
I can count all the ways in which being a mother has enriched my understanding of the world, of character, my sense of the future and my attachment to it. I can't imagine what kind of writer I'd be if I didn't have my kids.
In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.
I tell you one thing that makes me feel I haven't wasted my life, and that is I've got some grandchildren. You can't overestimate the kind of opening to the future that gives a person, I think.
Any kid that feels like they don't have any kind of future, whether they're on a street corner in Harlem or in a little town in Kansas where nothing happens, it's all out there for them. They can do whatever they dream or wish or see on television, o...
I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities.
Just six years into the 21st century, one can say this is not shaping up to be anything like an American century. Rather, the U.S. seems much more likely to be faced with a very different kind of future: how to manage its own imperial decline.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I would love to do a movie with Albert Brooks; we're so different, but I find him so funny, and I can be just as seemingly narcissistic as he comes off, the 'it's all about me' kind of thing.
You know, fame is a funny thing, man, especially, you know, actors, musicians, rappers, rock singers, it's kind of a lifestyle and it's easy to get caught up in it - you go to bars, you go to clubs, everyone's doing a certain thing... It's tough.
If I'm ever at a mall or some kind of place where there's a lot of younger girls, some people will recognize me from 'Degrassi.' But then it won't happen for a long time. It's funny - it happens more here in the States than it does in Canada.
It's kind of a funny way to put it, but if you want to study a dynamic economic system, what you'd like to be able to do is focus on the linkages, say, between asset markets and the macro economy without having to model everything at the same time.
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way...
I think the Cold War works as a great analogy or simile for different kinds of conflict. It's funny, when you look back at it, it's one of the last times that the boundaries were clear. Now, as we see on 'Homeland,' there are no clear boundaries and ...
There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but ...
