As a young man, I went to Paris and soaked up many hours of film knowledge from Robert Hakim in my efforts to become a producer.
Tabloid photos capture people at their most self-conscious and disoriented; in real life, Paris Hilton is like an elegant paper crane.
I have lived most of my life in Paris, but I have a connection with Rome that I have with no other place. I'm attached by invisible strings.
I would willingly give fifty thousand crowns to be able to say that I took Paris without costing the life of one single man.
The bohemian life that reigned in Paris until the end of the '50s is gone. The artists had more time to think, to reflect; success didn't come so suddenly.
In Paris, I really do like to try and do nothing... but that's impossible.
So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story.
It is true that the king has made a truce with the duke of Burgundy for fifteen days and that the duke is to turn over the city of Paris at the end of fifteen days. Yet you should not marvel if I do not enter that city so quickly.
I lived in Paris for four years, so I am obsessed with pastries. Croissants, pain au chocolat, cakes, macarons, all of that!
In Paris, where I live, the inner neighborhoods are only available to the white elite. The poor and dispossessed are shuffled out to suburbs and never seen.
People ask me where I live most of the time, and it's kind of complicated for me to answer, because I'm not really sure. It's somewhere in between London, Rome, Paris, and Rio.
Marv: [the McCallister house is filled with supposed partygoers; music is blasting] Did they come back? Harry: From *Paris*?
Gertrude Stein: The artist's job is not to succumb to despair but to find an antidote for the emptiness of existence.
Gil: I'm jealous and I'm trusting. It's cognitive dissonance. F. Scott Fitzgerald talked about it.
Adriana: I'm from the '20s, and I'm telling you the golden age is la Belle Epoque.
Inez: Gil, just pay attention. You might learn something.
Walt: I thought you were afraid of heights. Travis: I'm not afraid of heights. I'm afraid of fallin'.
I make the most money, I think, in Russia and Paris, for the people of those countries are so willing to be amused, so eager to see something new and out of the ordinary.
The program director at a radio station, by the way, is not the superstar. If he was a superstar, he'd be out creating songs, but he's not. But he wants to act like he has control and power.
The toughest thing about the power of trust is that it's very difficult to build and very easy to destroy. The essence of trust building is to emphasize the similarities between you and the customer.
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
