I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
I always wanted to do something creative, but as much as I'm creative, it's in a really hard-core, right-brained way. For me, painting doesn't do it for me. There's no constraint.
My thoughts fill the canvas in the sky with a spectrum of emotions. The landscape is painted through my vision. My heart warms the environment with love. The beauty lies in the depths of my soul. I am one with nature.
Decades ago, Gerhard Richter found a painterly philosopher's stone. Like Jackson Pollock before him, he discovered something that had been in painting all along, always overlooked or discounted.
It is an awesome tragedy in this life that, when asking what a person is and they reply doctor or lawyer or engineer, we don't say "Well thats a nice little hobby, but why don't you take up writing or painting or music?
My web site is so fresh. The paint is still wet, but stay tuned, because I have lots of personal things, specifically about what is happening day-to-day, that I will keep updating daily.
I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
Well, I don't think anyone now would say that they're painting the state of the culture of America. I think that's too grand and pompous a thing for anybody to claim.
When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
When I write, I disturb. When I show a film, I disturb. When I exhibit my painting, I disturb, and I disturb if I don't. I have a knack for disturbing.
There's certainly pressure to find your audience early. You need to paint the picture, but it's tough trying to find the balance between a show that people can tune in on any given week while still grabbing the people who are there every week.
Every day one should at least hear one little song, read one good poem, see one fine painting and -- if at all possible -- speak a few sensible words.
If I was painting or writing, I wouldn't veer away from things because they seemed unsavoury to me. So as an actor, I kind of think the same way. I should do things that are different and interesting and shed light on the craziness of the world.
If I was president, of course I'd want an amendment banning boy bands, but it just wouldn't be right, and I wouldn't do it. Then again... I don't want to paint myself into a corner on this one. Let me think about it.
When we founded Facebook, we put a lot of hours into it and worked hard every day. 'The Social Network' painted this picture that we were partying all the time, when really we only attended 2 or 3 parties during Facebook's first year.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission.
As I said before, a big part of my strategy says - and the management team I think is in agreement with this - we don't have to be out there with a lot of noise all the time. What we need to do is paint a vision for customers, promise them deliverabl...
When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you wou...
When you're trying to paint a portrait of a very specific world, you're trying to show what makes the world different. So, sometimes it means exaggerating certain kind of aspects, but I don't think it's that important or it's that much of an issue as...
