Confidence is highly overrated when it comes to creating literature. A writer who is overly confident will not engage in the struggle to get it exactly right on the page - but rather, will assume that she's getting it right without the struggle.
Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.
I was satisfied with haiku until I met you, jar of octopus, cuckoo's cry, 5-7-5, but now I want a russian novel, a 50-page description of you sleeping, another 75 of what you think staring at your window.
I like commas. I detest semi-colons - I don't think they belong in a story. And I gave up quotation marks long ago. I found I didn't need them, they were fly-specks on the page.
In making policy designed with copyright in mind, you end up making decisions about whether other important technologies, such as privacy-enhancing or file-search technologies, should be encouraged or discouraged. A collision is happening between cre...
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
I write nonfiction in this thriller-esque style. I have all the facts; I research it. I have thousands of pages of court documents... I try to get inside my stories.
I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that.
Let's start at the very end: The postscript of Stephen King's 'On Writing' contains some of the most harrowing pages he has ever written. It's here that King describes the traffic accident that nearly killed him in June 1999.
Turning back the pages of my sweet shattered dream, I wonder if she'll ever do the same; And the thing that I call living is just being satisfied With knowing I've got no one left to blame.
There's always been some concern that adult subject matter should be quarantined from a page that attracts children. Unlike late at night, when 'South Park' and 'Colbert' are on, impressionable minds are wide awake when the newspaper arrives.
When we protect children from every possible source of danger, we also prevent them from having the kinds of experiences that develop their sense of self-reliance, their ability to assess and mitigate risk, and their sense of accomplishment.
I’ve never thought of writing as the mere arrangement of words on the page but the attempted embodiment of a vision; a complex of emotions; raw experience. The effort of memorable art is to evoke in the reader or spectator emotions appropriate to t...
People go to the front page of BuzzFeed partly because they've seen a bunch of things in their stream, and they're like, 'Oh, I like this site. Why don't I go to the source?' I think that happens. But also people are going to look for something to sh...
Years ago when you'd go to a working group most of the people in the working group would be from universities. Now most of the people are from companies who are building internet products and care what the standards turn out to be.
No story lives unless someone wants to listen. The stories we love best do live in us forever. So whether you come back by page or by the big screen, Hogwarts will always be there to welcome you home.
There's a point I set for myself, and it's an arbitrary point, when I think no matter happens, I'm going to finish that book. And that's when I get to page 100. I have to see it out.
I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
I hate it when, by page 30, I know what the lead's going to do and then what the bad guy's gonna do. Mostly it's just scripts by the numbers where nothing's surprising, nothing's interesting.
