Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage - or for that matter, in a homelier way, picking out the right fa...
I don't have a problem believing in God and Jesus. But in Genesis one has to wonder about these sentences that just go on and end without finishing. The thought is unfinished. Where did Adam go? What is he doing? Hello? There has to be some pages mis...
But compared to writing a novel, where you can be God, I did the Bay of Pigs invasion in six pages once, and there were 50,000 guys with boots that I didn't have to pay, and all those extras; we didn't have to pay them.
I always write to understand my place in the world. I can see myself and my life unfold on the page, and I can understand my strengths, my weaknesses - I can see where I need to step up a bit.
I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
The difficulty with poetry is that it doesn't have the life that Shakespeare or Jane Austen have beyond the page. You can't make a costume drama out of it. There's no place for it to go except trapped inside its little book.
I generally don't walk out of films. If I start a book, and I don't love it by page 100, I will stop reading because it's just too much of a time commitment. But you never know with a movie what's going to turn around.
I'll get a three-page letter and the last paragraph says 'I know you'll never read this, but here's my number.' I love to call those people because the first thing they say is, 'Governor, I didn't mean everything I said in the letter about you.'
I think I became a writer because I used to write letters to my friends, and I used to love writing them. I loved the idea that you can put marks on a page and send it off, and two days later, someone laughs somewhere else in the world.
I'm not one of those shoppers where I go to a store and I'm like, trying it on, I'm not sure, 'Oh, can you put this on hold?' No. It's either love it or hate it. And it's the same way with scripts. I usually know within the first 10 pages. If I don't...
It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language.
No, this is not the beginning of a new chapter in my life; this is the beginning of a new book! That first book is already closed, ended, and tossed into the seas; this new book is newly opened, has just begun! Look, it is the first page! And it is a...
I've worked on all sorts of things, like the sci-fi stuff for Vin Diesel, where the script is numbered and is in unphotocopy-able colours and your name is stamped into every page. And it doesn't really help because it creates a false sense of special...
I binge write, basically. I do a lot of prep, research, setup. I'll have a pretty detailed outline. Sort of like a beat outline. And then I'll add little notes and dialogue ideas, and I'll just create a 20-page document.
To describe an emotion is to feel with words. To communicate a moment of existence is to bridge the eternal and the temporal with an intellectual engagement of body, soul, spirit, and mind. To write, therefore is to entangle the mysteries of the univ...
When I began writing stories and exercise books I tried to put off all the things I really wanted to write about till at least the second page. I thought it wouldn't be like a grown-up but if it became interesting at once.
To become better writers we must become the best thieves and liars in the business. We slink around the pages of everyone else’s work and shove it into our pockets. Then we run home and try to make it our own.
I believe it’s fine to give up books even after a page; there’s so much to read in the world that will delight you, so why should you work against the grain?
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
You know you’re not perfect and that’s good. Perfect is boring. You have a lot to offer. A lot more to experience and so many things to learn. There are more pages to fill up so act your age.
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