I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.
I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.
I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and...
We all agree now - by 'we' I mean intelligent people under sixty - that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves.
But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.
Art is exalted above religion and race. Not a single solitary soul these days believes in the religions of the Assyrians, the Egyptians and the Greeks... Only their art, whenever it was beautiful, stands proud and exalted, rising above all time.
Serious art has been the work of individual artists whose art has had nothing to do with style because they were not in the least connected with the style or the needs of the masses. Their work arose rather in defiance of their times.
There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.
What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter - a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue.
It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, y...
There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.
Art's a very metaphysical activity. It's something that enriches the parameters of your life, the possibilities of being, and you touch transcendence and you change your life. And you want to change the life of others, too. That's why people are invo...
For me, art really starts with acceptance, self trust. Wherever you come to with art, it's perfect. You don't have to come with anything. What you bring to something is the art. That's where it's found. It's found within you.
I believe that art has been a vehicle for me that's been about enlightenment and expanding my own parameters, to give me courage to exercise the freedom that I have in life.
When I view the world, I don't think of my own work. I think of my hope that, through art, people can get a sense of the type of invisible fabric that holds us all together, that holds the world together.
Acting is secondary - I don't feel like it's going to stick around because it's not something I want to do forever. My art has always been my top priority and I have far more experience in that field than I do in film.
Back then, I didn't have a big organization around me. I was just a kid with a guitar, traveling around. My responsibility basically was to the art, and I had extra time on my hands. There is no extra time now. There isn't enough time.
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo ...
People were more interested in the phenomena than the art itself. This, combined with the growing interest in collecting art as an investment and the resultant boom in the art market, made it a difficult time for a young artist to remain sincere with...
I like Betsy Ross as a model, too, the quilting bee, sitting around with your friends making art, asking what they think, so that you get the benefit of everyone's opinions and so it's not just about you in your you-dom.
I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.
