I could paint for a hundred years, a thousand years without stopping and I would still feel as though I knew nothing.
The painting is not on a surface, but on a plane which is imagined. It moves in a mind. It is not there physically at all. It is an illusion, a piece of magic, so that what you see is not what you see.
Color which, like music, is a matter of vibrations, reaches what is most general and therefore most indefinable in nature: its inner power.
I sometimes wonder what would've happened if I'd entered the competition instead - I'd probably have come nowhere and given up on the whole fiction game.
I have 17 full-time archivists working for me who put away in books all the diversity of artwork I do, from drawing to etching to monotypes to prints to lithographs.
The position of the artist is humble. He is essentially a channel. Piet Mondrian The Artist's Way A Spiritual Path to Greater Creativity by Julia Cameron
Providing, meaning to a mass of unrelated needs, ideas, words and pictures - it is the designer's job to select and fit this material together and make it interesting.
If a company is second rate, the logo will eventually be perceived as second rate. It is foolhardy to believe that a logo will do its job immediately, before an audience has been properly conditioned.
There's a certain kind of research you have to listen to - the factual stuff, not opinion. Facts are facts. Sugar is sweet - it's not a matter of opinion. It just is.
The principal role of a logo is to identify, and simplicity is its means... Its effectiveness depends on distinctiveness, visibility, adaptability, memorability, universality, and timelessness.
Without the aesthetic, the computer is but a mindless speed machine, producing effects without substance, form without relevant content, or content without meaningful form.
The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.
All my wire sculptures come from the same loop. And there's only one way to do it. The idea is to do it simply, and you end up with a shape.
It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.
Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.
Art tends toward balance, order, judgment of relative values, the laws of growth, the economy of living – very good things for anyone to be interested in.
The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment.
But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
I can actually feel the interior body of a dancer. I have the ability to capture a split second... I want you to be hit with whatever the essence is of this sculpture.
The problem with copyright enforcement is that when the parameters aren't incredibly well defined, it means big corporations, who have deeper pockets and better lawyers, can bully people.
When I think about how I want to reach an audience, I just wanted to make pieces that were inspired by something that gave me so much pleasure.
