Fred C. Dobbs: Why am I elected to go to the village? Why me instead of you and Curtin? Oh, don't think I don't see through that. You two've thrown in against me. The two days I'd be gone would give you plenty of time to discover where my goods are, ...
[first lines] Narrator: 1879 - the Civil War is over, and the resulting economic explosion spurs the great migration west. Farmers, ranchers, prospectors, killers, and thieves seek their fortune. Cattle growers turn cow towns into armed camps, with m...
Begbie: Picture the scene: The other fuckin' week there, down the fuckin' Volley with Tommy, playing pool. I'm playing like Paul-Fuckin'-Newman by the way. Givin' the boy here the tannin' of a lifetime. So it comes to the, down to the last shot, the ...
Woody: [through his voice box] Reach for the sky! Sid Phillips: Huh? Woody: This town ain't big enough for the two of us! Sid Phillips: What? Woody: Somebody's poisoned the waterhole! Sid Phillips: It's busted. Woody: Who are you calling busted, Bust...
[first lines] Doug MacRay: [narrating] Driver's name is Arthur Shea. Former Metro Police officer, fifty-seven years old. Soon as his partner leaves with the coal bag, Artie cracks a Herald, and he don't look up 'til the guy gets back. Marty Maguire. ...
[after seeing Coughlin die, Doug - still wearing his BPD uniform - hops into one BPD cruiser parked nearby with its engine running. He closes the door and drives off. He parks in front of Fergie's shop, and enters, caught by a surveillance camera] Do...
FBI S.A. Adam Frawley: You used to hang around with Doug MacRay a little bit, huh? Krista Coughlin: How do you know Dougy? FBI S.A. Adam Frawley: We sorta worked together. Krista Coughlin: Sand and Gravel? FBI S.A. Adam Frawley: No. No. [pulls out so...
[Krista has been hospitalized after a car accident. Frawley approaches her] Krista Coughlin: There he is. Mr. Six Inches. FBI S.A. Adam Frawley: What happened? Krista Coughlin: You're a crime stopper, figure it the fuck out. FBI S.A. Adam Frawley: Sw...
Keaton: Hey, uh... friend of mine in New York tells me that you know, that you knew Spook Hollis. Redfoot the Fence: The way I hear it, you did time with old Spook. Good man, wasn't he? I used to run dope for him. Too bad he got shivved. Keaton: Yeah...
Marwood: Parkin's been. There's the supper. [a live chicken is standing on the table] Withnail: What are we supposed to do with that? Marwood: Eat it. Withnail: Eat it? Fucker's alive. Marwood: Yeah, I know that, you've got to kill it. Withnail: Me? ...
Jake: I might come and see you lads in the week. I might fetch you up a rabbit. Withnail: We don't want a rabbit, we want a pheasant. Jake: Listen, you young prat. I ain't got no pheasants, ain't got no birds. No more than you have. Withnail: Course ...
Withnail: Monty used to act. Monty: Well, I'd hardly say that. It's true, I crept the boards in my youth. But I never really had it in my blood, and that's what's so essential, isn't it, theatrical zeal in the veins. Alas I have little more than vint...
[Marwood knocks on the door of a farmhouse. An old woman with a clunky hearing aid pinned to her apron opens the door] Mrs. Parkin: What do you want? Marwood: I'm a friend of Montague Withnail's. He's lent us his cottage. I wondered if you could sell...
Old Man: As the pattern gets more intricate and subtle, being swept along is no longer enough. Boat Car Guy: Man this must be like... parallel universe night. You know that cat that was just in here? Just ran out the door? Well, he comes up to the co...
Roger Rabbit: What could have possibly happen to you to turn you into such a sourpuss? Eddie Valiant: You really want to know? I'll tell you. A toon killed my brother. Roger Rabbit: A toon? No! Eddie Valiant: Yes, a toon. We were investigating a robb...
Sally Albright: I don't have to take this crap from you. Harry Burns: If you're so over Joe, why aren't you seeing anyone? Sally Albright: I see people. Harry Burns: See people? Have you slept with one person since you broke up with Joe? Sally Albrig...
[Lynch is firing Dan] Dan: We go way back, Harry. You know, I-I've put a lot of money into this firm over the years, and I've brought in a lot of businesses. Lynch: You've taken enough out, too. You know that. You should have something put aside, for...
Eli Lapp: This gun of the hand is for the taking of human life. We believe it is wrong to take a life. That is only for God. Many times wars have come and people have said to us: you must fight, you must kill, it is the only way to preserve the good....
Mitchell Laurio: Have a nice sleep, Lensherr? Magneto: There's something different about you today, Mr. Laurio. Mitchell Laurio: Yeah, I *was* having a good day. Magneto: [gets up] No, it's something else... Mitchell Laurio: Sit down. Magneto: No. Mi...
Guido: Could you walk out on everything and start all over again? Could you choose one single thing, and be faithful to it? Could you make it the one thing that gives your life meaning... just because you believe in it? Could you do that?" Claudia: I...
Brad Dupree: ...so I'm sure you can understand the need to cut corners around here. Lester Burnham: Sure. Times are tight, and you need to free up cash. Gotta spend money to make money. Brad Dupree: Exactly. Lester Burnham: Like when our editorial di...
