But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.
I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.
A lot of people are going to hate me for saying this, but one of my least favorite kinds of music, or the kind of music that I feel I've so got out of my system, is musicals music.
Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.
Country music is still your grandpa's music, but it's also your daughter's music. It's getting bigger and better all the time and I'm glad to be a part of it.
The devil ain't got no music. All music is God's music.
The classical music world is so snobbish.
In Africa, music is for everything, Music was originally used for community. That was what music was for.
I like all music. The only music I don't like is bad music.
New music is absolutely integral to classical music.
Music could ache and hurt, that beautiful music was a place a suffering man could hide.
Pop music I have always loved best. But the more extreme, fascist-led examples of the music business I tend to detest the most.
I love Lady Gaga and I love Katy Perry and R&B and rap music... I love big, American pop music.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I'm moved by a lot of different kinds of music, whether it's pop music or R&B or straight-ahead jazz or free or opera or music from all parts of the world.
I don't sing country music because I'm not capable of singing other kinds of music; I sing it because I think it's the most beautiful kind of music there is.
Every so often, I feel I should graduate to classical music, properly. But the truth is, I'm more likely to listen to rock music.
I certainly have a fascination with pop music as a musical form, not necessarily as a lifelong commitment. I guess you could say I'm like a Casanova of music. I can't seem to settle down with one musical form.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.
