Even if you don't like colours, you will end up having something red. For everyone who doesn't like colour, red is a symbol of a lot of culture. It has a different signification but never a bad one.
I think I have a part of myself which is a woman. When girls are together, they speak completely differently than when there is a guy around. But, with me, they don't see this masculine thing stopping them, and there is not this boundary.
If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And,...
If I could dress anyone, I'd like to dress the Queen - she can handle anything. I'd put her in black - she never wears black - and add a little leather, maybe. A little rock n' roll.
In any game, you have an enemy coming at yourself that you have to shoot. If you go back to 'Space Invaders,' they shoot at you when they come at you, so how are you going to protect yourself? You're going to shoot, and that is a typical videogame.
If 'Castlevania' wasn't created next to me, and Capcom didn't release 'Ghouls n' Goblins,' then maybe there wouldn't be any 'Metal Gear,' and I would have created a horror action game, because I really like that genre.
I was still young when I missed Beijing. I was favourite to win a medal but I knew I had time. My coach advised me to stay at school and finish my exams. Even if I had gone and won the Olympics, I might not have handled the pressure. So I moved on.
I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. ...
In high fashion, we're always accused of doing things that are not very relevant, not the real world. I know that it's important sometimes to do fantasy, but I felt like touching people and going back to different women and men, especially the idea o...
People have a preconceived notion about who I am and it's interesting. It's like picking who you want to win for the Oscars and not seeing the movie. Before you make a statement about someone, get all the information and see everything before you mak...
I feel that it means a lot to the people of Iran that my film is represented at the Oscars, and it makes me happy to bring them that joy, that I'm representing them and that I'm able to give them that element of pleasure to be the envoy from Iran. It...
I want to single out Kathryn Hahn's performance in Jill Soloway's film 'Afternoon Delight,' which in my opinion should have been nominated for an Oscar. I think it's one of the greatest female performances I've ever seen on screen, and I think she's ...
I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
I do think I know more about clothes than any 500 designers, because there's nothing like wearing them. You buy them, you study them, and you start to understand how they're crafted.
My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
But, the thing is, since I always had my own little shop and direct access to the public, I've been able to build up a technique without marketing people ever telling me what the public wants.
I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it co...
He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exulta...
The Irish way of telling a story is a complex and elaborate one, complete with wild exaggerations, a certain delight in improbable fantasy, and a heightened sense of drama.
If there were no eternal consciousness in a man, if at the bottom of everything there were only a wild ferment, a power that twisting in dark passions produced everything great or inconsequential; if an unfathomable, insatiable emptiness lay hid bene...
