Coming from New Zealand and Australia is like a tough pre-school for Hollywood. And having been on 'Neighbours,' even though the agents I met with hadn't seen it, they knew it's where Russell Crowe and Guy Pearce had come from. It was a foot in the d...
When I see something that's sensitive, I go, 'You've got to put that out there.' You need to keep the dialogue going and shine a light on the bad guys. If you sweep it under the carpet, people forget about it. People stop talking about it.
If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's wha...
Because of the audience I get and the fact that these people aren't traditional comics buyers I don't think the comic industry looks at that and thinks that is a very respectable thing. I'm very used to it. I'm not the guy who wins awards and gets me...
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'
I am one of those guys who could do the most emotional scene and crack a joke instantly. I'm lucky. I'm just like an idiot savant. I have one enormously enjoyable, pleasurable - for me - talent, which is being able to act.
Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and...
Everyone should have a tailor. David Wilkes, the guy who does my stuff, is like, 'Well you're a writer - do you want a special pen compartment or something?' Bespoke: That's the term you want to get out there.
When I was 16, I knew I was gay. I loved a lot. But I lived as a straight guy, because there are people in my town who don't understand my story. I never told. I never wanted to show what was inside my heart.
No, we always had something to do because I did all the wave runners and jet skis and boats approaching the atolls and stuff like that, so you could do that without showing the actual atoll or the set that you're going towards, but detailing all thos...
There were a bunch of things we really liked right off the bat about a police precinct. We loved how instantly relatable it was. We loved how little exposition was required to tell people who these guys were and what they were doing.
That's what I've been always saying, that I was always using the mixed doubles especially to improve my net game and being able to return a guy's serve, 'cause then when you play someone like Serena, you are little bit more prepared for that.
I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You...
You can't have a U.S. Open anymore without an extra course to store all the hospitality tents. I used to be able to drive up to the clubhouse and park like the players. Now, there are seven corporate hospitality guys who have my spot, and I'm on a bu...
I like a basic uniform for guys. Steve Jobs is my fashion icon, because he wears the same outfit every day. If you always wear the same thing, you make a statement. Then put a bow tie on and really stand out.
Girls and guys are like a bus stop - they come and go. You never know, like, who's going to be the right one, and what I've been taught is you really gotta figure out who you are first before you can really give yourself to someone else.
There’s randomness and there’s the demand and supply ratio. And both of these combine to stop the average man from making it big. More it happens, more is our guy forced to believe in luck. Decades, my friend, you know what that does to a man.
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.
'The Count' wasn't a real stretch. I was doing pretty generic Bela Lugosi bad vampire on purpose. It was supposed to be lame. I didn't put fangs on; it was a guy who was just going through the motions. I drew on the widow's peak with eyebrow pencil a...
Mo Udall didn't want the presidency bad enough. He was too sane. He was a marvelous guy, but you had the feeling there was another Udall outside his body watching the candidate Udall who was too extravagant, telling him to cut it out.
