...There is a tale, as old as the Ancient Ones themselves, that one would arise who has that gift: to sing all the chantments, the high notes and the low, the swift rhythms and the slow. And this person would be more powerful than even the Ancient On...
I was a born singer.
I never was a very good singer.
I'm a mom first, a singer second.
I'm not a very typical singer.
I'm an actress, model, and singer.
I want to be a soul singer.
Advertising is an environmental striptease for a world of abundance.
I wasn't a great background singer.
Dairy products are not good for a singer.
I'm a big singer. I really love it.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I wo...
Narrator: You know what, I really think it's time you got out of here. Marla Singer: Oh don't worry, I'm leaving. Narrator: Not that we don't enjoy your little visits... Marla Singer: You know you are such a nutcase, I can't even begin to keep up!
I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.
A true artist creates art because they have a passion and desire to do so.
Why the hell do women always have to bring back up? It's not as if I'm going to molest her at the opera.
I say, `Woe to them that have a nose, a real nose, and come to look round the torture-chamber! Aha, aha, aha!
To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.
I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.
My mother sent me to dance and drama classes when I was young, and then I got a stage role in 'Set To Partners' when I was 12, followed by Benjamin Britten's 'Let's Make An Opera.'
Writing an opera and premiering in England, you could say I was going right into the eye of the storm and I came out successfully. A little tattered and bruised, but so what, I made it.
