I'm not a French singer.
I moonlight as a singer.
A man is always afraid of a woman that loves him too much
The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
My parents have always given me whatever I wanted. Took me to the ballet, the opera, museum exhibitions. I was always surrounded by art. It's their fault I've become an actress.
In opera, as with any performing art, to be in great demand and to command high fees you must be good of course, but you must also be famous. The two are different things.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
As Daffy once said, the best place to hide a glum countenance is onstage at the opera.
'Gone With The Wind' is one of the all-time greats. Read Margaret Mitchell's book and watch the film again; it's a soap opera in all its glory. It is superb and memorable.
Operas elucidate, in a way sometimes absent in other theatrical productions, the very human fact that in every hero, there is a thread of duplicity. In every villain, there is another side to consider: We don't have to like him or her, but we are com...
One year, I was a patron of a new opera. It was, to put it kindly, unpleasant to the ear. The friends I went with hated it. Keeping quiet about my contribution, I was outed when one of them, reading the program at the restaurant during dinner, saw my...
I vowed I would never do a commercial, or a soap opera - both of which I did as soon as I left the Acting Company and was starving.
My poor sister was forced to be in the plays that I would write. We would go to my grandma's retirement building and perform 'Phantom of the Opera.'
My auntie Anne took me to 'Phantom of the Opera' in London. I thought it was the most beautiful thing I'd ever seen.
In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
Writers and books are cheap dates, especially when you compare the cost of a book with a ticket to the opera - or an NHL game.
I was a dancer for many years. I was a premier dancer with 'Porgy and Bess,' the opera. And I taught dance some, in different places.
Since I was eight years old. I didn't have a TV, so comic books were definitely my television, my soap operas, and all that.
What interested me was dance - the way that it was constructed with time-space constructions, and that it was abstract. I always thought: 'Why couldn't theater be that way? Or an opera?'
You would be amazed at the pompadour that I was rocking in the first job I had on the soap opera called 'Loving,' my first contract job.
