I was terrified, terrified in 'Songwriter,' because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
There's nothing I'd never wear, really. I've worn pink spotty pajamas from a Goodwill store onstage before. This only happens when I'm having a small breakdown!
Rosemary was a little nervous about going onstage, but she went on with us. I saw her at a party, and a couple of months later they called me about doing the act.
When I perform onstage, I'm actually kind of nearsighted, so I don't have any real, true understanding of what the audience is like.
Viv had this kind of stage presence where you couldn't ignore it. He walked onstage, he looked dangerous. You just didn't know what he was going to do.
I grew up in a family of actors. I grew up onstage. The choice for me wasn't, 'Do I want to be an actor or not?' I always felt like that's just ingrained in you, the need to perform. The choice was, 'Do you want to do this professionally or not?'
People buy a ticket to see your show, so from the moment I get onstage, I can have no insecurities, because they're already there. You have to get people to listen. If they listen, everything's cool.
I always say, 'Hip-hop takes me everywhere.' It's crazy when I step onstage, and people might not speak much English, but they know every word to your songs. It's kind of freaky, but it's really cool.
I've always been into guitars... we want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.
Sometimes I'm more true when I'm up onstage than I'm able to be in my regular life. It's not as exciting to be at home, but I've got to learn how to make that work, and then I will be an ordinary woman.
As soon as my foot is in the light onstage, I am home. It is what I love to do. It is what I have always loved to do.
People come up to me as I leave the stage after a performance and tell me tey saw my mother onstage with me every time I sing. I keep a sense of humor about it.
It was in San Diego and I was onstage and couldn't remember how to play the guitar properly. I was in terrible pain and my nervous system was just going wild, like somebody had just run a car over me.
I have so much fun with Matt LeBlanc that whether I love it or not really makes no difference to me because I just really have that much fun with him and playing with him. Being onstage with him is great.
There are times when I've had ideas walking down the street that I thought were great, and the minute I got onstage, I would think of them and go, 'Wow, that would never work,' even before I did it in front of the audience.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I'm not good at interacting with people and am terrified to get onstage, so I just go up there, freak out and, most of the time, pack up and go home immediately after.
Children go with whatever makes them feel good - like if that's the color green or orange, they do that with their clothes. As I've grown older, everything reversed. My music, my personality - onstage those things became my colors.
I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers.
It's good to be playing one and a half hour again. In the States we played like an hour and when you got onstage it felt like all of a sudden you are already done your set. But now, it feels like we are touring again.
My thing is to get up there and have a good time and give the fans all you can and appreciate them spending their money and being in the stands - and just be appreciative of them cheering when you come onstage.
