I sometimes think that what I do as a writer is make a kind of colouring book, where all the lines are there, and then you put in the colour.
Dean Andrews: Kennedy's as dead as that crab meat, the government's alive and breathing. You gonna line up with a dead man, Jimbo?
Crewman: Sir! The mains are back on line! Kirk: Bless you Scotty! Go, Sulu!
[last lines] Lorenzo: The future lay sparkling ahead, and we thought we would know each other forever.
I don't think most books can be justifiably translated on screen. The film versions can't convey the right emotion, fuel your imagination or allow you to visualise every line the way books do.
I thrive with fashion and shopping and imports and things like that. It gives me a rush. I love Barneys New York and Neiman Marcus and all the top-of-the-line houses.
[first lines] Russian dispatch officer: Suspect from tunnel auto chase, heading east from Kievsky Train Station.
[last lines] Dorothy Vallens: [singing] And I still can see Blue Velvet through my tears.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
I conquered my stage fright a long time ago. In my line of work, it's kind of a pre-requisite that you not feel bad about looking stupid in front of a lot of people.
I remember a concert for a visiting girls school, and that was the first time I ever sang - it was always about girls - that was the main thing. But somewhere along the line, it became a cathartic thing.
When friends asked me, Can we help? I'd say, Not unless you can alter time, speed up the harvest or teleport me off this rock. I used that line from Star Wars.
I've been designing my own pieces for a long time. My mother's a jewelry designer, so we knew at some point we were going to do a line and dive into the fashion world.
The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.
As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.
We are opposed to the line of compromise with imperialism. At the same time, we cannot tolerate the practice of only shouting against imperialism, but, in actual fact, being afraid to fight it.
By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
I am dancing all the time. Every gesture, the body line of every pose, the way I get from place to place, the movement in the acting - none of it would be the way it is if I weren't a dancer.
By the time I got to the Fox studio for my first major film, I knew how to hit a mark. I knew how to memorize lines. I knew how to pay attention.
I would say 95% of the time, because you just can't remember your lines if you're drinking alcohol. I would say about 95% of the time it was grape juice or this fake wine, which was horrible.
