I was always a little embarrassed when there was an act on television that requires a great deal of skill but is a little goofy, and the host comes over and acts like the person doing this skill is some sort of fool for having learned to do something...
Congress did a good thing back in 1995 in passing the Deep Water Royalty Relief Act. That act did a simple thing. It provided automatic royalty relief for new leases for 5 years in the deep waters of the Gulf of Mexico.
I know that the greatest of actresses has about 20 good years of acting in her and that she will go on living for 30 or 40 years as a human being. So, the conclusion I have come to is that I can't make acting my whole life.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
I believe in three-act structure. When I say that to novel people, or people in the world of books, they go, 'Well, that's a film thing.' However, even a good joke has three acts.
I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.
Technology has made it much easier to make and manipulate music. Studio-driven, machine-driven music does not always transcend into being a good live act. Many current acts are great live, but many cannot cut it live. The music is not organic.
If I only acted, I feel like I wouldn't have enough creative expression over my own sensibility, and also if I only acted, the notion of surrendering my fate and future to other people is deeply unsettling to me and it would make me uncomfortable.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I happen to be a Christian. I was brought up and drenched in that. I am very orthodox in thinking that Jesus acted in his life the way God would have acted if God had assumed human form.
I don't know... I think I'm quite extreme... When I act, I have to immerse myself into the character... otherwise I can't act... In my private life it's the same... I think.
Partying and having all of those pictures taken distracts from the work that I do. It's not why I started acting. I didn't get into acting to be written about. It kind of just happened - so I accept that it's my life.
It's all about hustling, whether it's in Boston or the film industry. I've been hustling my entire life - acting my way into trouble and acting my way back out again. I'm just fortunate to have had the opportunity to apply it in a different direction...
I wanted to go to acting school, and I did a few modeling jobs to pay for acting school. I never aspired to be a model. I met lots of photographers, and I learned a lot about light - as a source of love and illumination, light as a gift of love. On f...
Acting is a very important thing for me, and I love doing it. But when I'm acting, I spend 14 hours a day and months a time being someone else. When I'm singing, I just get to be me.
You never know whose life you could change from a single act of kindness. There are so many broken people in this world that would truly appreciate your act of selflessness.
I went to UCLA as pre-med. When I was there my freshman year, I auditioned for a play and got it, and I was so passionate. I just loved acting so much that I decided to switch majors and pursue acting.
I still have the desire to do the job of acting. It's just a matter of whether I'll be allowed to do the job of acting that remains to be seen. There are only so many brick walls that I'm willing to beat my head on.
I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.
Unfortunately, when you're an actor you have to act. It's not like you can sit in your living room, your bedroom, your study or whatever and act with yourself. It requires having somebody to respond to.
The Civil Rights Act of 1964 was vigorously and vociferously opposed by the Southern states. President Lyndon B. Johnson signed it into law nonetheless.
