I love Logic Audio and have been using it for years. All my track outputs used to come up on my old board in the same order as in the old Mac G4 - 1 through 32, came up as 1 through 32, for instance.
One of the first places where I started to respond to song lyrics was in reggae music. A lot of what I was responding to were references to the Old Testament. It was not that I had to adapt the lyrics to the sound. Reggae and the Old Testament are bo...
I thought it must be desperate to be old. To wake up in the morning and remember that you were ancient - and so behave that way. I thought old people were full of aches and pains and horrible illnesses.
Whether it's a 16-year old girl, or a mom, or a guy, or anybody, as long as they come up and they're excited to meet me 'cause they've had some sort of relationship with something I've created, it's the coolest thing ever. It never gets old. It's awe...
Mortimer Brewster: Look I probably should have told you this before but you see... well... insanity runs in my family... It practically gallops.
Elaine Harper: But Mortimer, you're going to love me for my mind, too. Mortimer Brewster: One thing at a time!
[speaking of a character in a play he has seen] Mortimer Brewster: He sits there *waiting* to be tied up and gagged! [laughs] Mortimer Brewster: The big dope!
[on the telephone] Mortimer Brewster: Hello... Operator? Can you hear my voice? You can? Are you sure? [hangs up] Mortimer Brewster: Well, then I must be here.
Jonathan Brewster: [to Dr. Einstein] This is the home of my youth... As a boy, I couldn't wait to escape from this house. Now, I'm glad to escape back into it.
Mortimer Brewster: What is this? Did everybody in Brooklyn know I was going to get married except me? Martha Brewster: We knew you'd find out about it in time.
Mortimer Brewster: [trying to make Jonathan leave] Now, Jonathon. Be a good fellow. Here's ten dollars. Go out and haunt yourself a hotel?
Teddy Brewster: [after charging up the stairs] Charge the blockhouse! Reverend Harper: Blockhouse? Aunt Abby: Yes. The stairs are always San Juan Hill.
Mortimer Brewster: [to Aunt Abby and Aunt Martha] Come here. I've got the two nicest Aunts in the world. Of course, you've got the nicest nephew in the world, too.
Mortimer Brewster: Wait outside. Dr. Gilchrist: But it's Halloween! Mortimer Brewster: Oh, don't worry about Halloween. The pixies won't be out till after midnight.
Teddy Brewster: Yes, Doctor, I'll run for a third term, but I won't be elected. That will be the last of the Roosevelts in the White House. Dr. Gilchrist: That's what you think!
Butch Cassidy: Well we're back in business boys and girls, just like the old days.
The thing I'd really like to see is the old London Bridge, with all the old buildings around it like Shakespeare's Globe. I'd like to walk along that. Don't worry, I won't get drunk and fall in.
I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'
How are we supposed to get old? What am I supposed to do? Am I supposed to get old? My kids tell me, 'We want you to look like a grandmother.' I agree with them. I want to look like a grandmother.
On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.
To me, reading through old letters and journals is like treasure hunting. Somewhere in those faded, handwritten lines there is a story that has been packed away in a dusty old box for years.