Exercise is like an old friend: You may not be able to see that friend all the time, but you're not mad when you see them, you're happy, and you get right back into it.
I've always known from the time I was eight years old what I wanted to do. I would have been fairly content to be someone's lead guitar player.
I've grown up a little bit. I'm almost 40 years old now. But everyone was introduced to me when I was 18 and I looked like I was 15. I've been around a long time.
A supermodel is kind of that first-name recognition, but I'm not quite ready for that super part yet, and I'm afraid that by the time I am, I'm going to be too old anyway.
Magic came very easy for me when I was a kid. When I was 8 years old I started doing it, and by the time I was 12, I was already published in magic books.
My father had slowed down playing a little... I was 'round 10 or 12 years old. Every time he put his guitar down, I pick it up.
I've been doing a lot of studying singing, and I'm thinking of recording an album containing all my old war horses and putting out a songbook at the same time.
In some ways, I had a traditional 'old South' upbringing, meaning that I spent some time in a military school, and acquired an inoculum of the military ethic that is still with me today: honor, duty, loyalty.
When I was six years old, my mother died; and then, for the first time, I learned, by the talk around me, that I was a slave.
By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.
It was a wild time - a time that I don't miss anymore. But then again, I'm 62 years old now and I think that lifestyle would probably put me where Frank's at now.
The first time I went to Helene Hanff's apartment at 305 East 72nd Street, it was 1977, and I was a 16-year-old girl who wanted to be a writer.
I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.
The first time you meet someone, they're a new acquaintance, the second time you have a bit of an understanding, and the third time you meet them, you're old hats.
I'm sure every designer has a certain person in mind who they would ideally like to wear their clothes, but the problem is that a lot of the time that person doesn't actually exist, unless she is a 15-year-old model.
It's been a long time since I've written old-fashioned sword and sorcery; I'm hoping it's like riding a bicycle.
By the time the discussion starts about a movie, it's like bringing up an old boyfriend. It's like, 'I don't even remember exactly what he was like, and now we have to talk about it?'
All information belongs to everybody all the time. It should be available. It should be accessible to the child, to the woman, to the man, to the old person, to the semiliterate, to the presidents of universities, to everyone. It should be open.
I have the libido of a 15-year-old boy. My sex drive is so high. I'd rather have sex with Brian all the time than leave the house. He doesn't mind.
Before you can read, you know the difference between a story and reality. And, of course, by the time you're old enough to do any real damage with an Uzi, you've learned that difference.
In the real world in which we live, it's a dangerous world. And you know the old saying is that we have to be right 100 percent of the time; the terrorists only have to be right once.
