I like to see how other people work and be part of their stuff and see what I can do to be part of their worlds. Its a pretty big challenge, and that excites me.
Forget about where you want to be and go out and build stuff. Dodgeball came from being bored at work... things happen because you make them happen. Stop sketching, and start building.
The world intrudes in my brain daily. Since my brain is dripping with all kinds of stuff that's out there in the world, that I can't seem to be able to shut out, it has to end up being in my work as well.
I will not do work that isn't done well or right. Stuff happens - things break, contractors don't come through - but I don't want to be responsible for not doing something correctly.
My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.
I see all the red carpet paparazzi stuff and I'm like, 'Really? Do I have to?!' I like to work and I know that's part of the job. But you kind of take it in stride.
I'm not saying that experiencing loss is why I can cope with darker worlds - I'm not saying that for a second - but I think it opens up a side of you in terms of work that wouldn't be as accessible had that stuff not happened.
I took a job in the U.S. because I wanted to work on products that would get into end users' hands. In Norway, most of the jobs are in server software, niche stuff.
That made me feel very disturbed, because it never seemed to be about how much hard work was involved. Ever. It was about... 'hazel eyes'. It does help if you can brush that stuff off.
Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
I was a big fan of Indiana Jones; then I realized he was kind of a fake hero. The real heroes are the people who work hard and do their stuff right, like firefighters and policemen.
A lot of people think I'm difficult to work with. It's not like I really want to do that much stuff, so it doesn't really matter. I guess I'm somewhat difficult when it comes to comedy.
The tutor gave us our work, and if we had trouble, she'd help us on it, but we were really only working on the stuff that our school gave us - well, I was, because I go to a public school.
I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
There's really not much that people can pick on me for my work, so obviously they find other reasons to write something bad about me. I mean, people enjoy reading bad stuff about people.
I grew up 60 minutes way from Richmond, in Charlottesville, Virginia and, as a child, I was obsessed with the Civil War. I used to do re-enactments and all that stuff.
My mum was one of those people who really wasn't allowed to be an artist, because she worked in a factory and she came from the war and all that stuff. She really has an artist's soul.
I go into Daunt Books in Marylebone every couple of weeks. My wife Sara demolishes books, but I only buy stuff occasionally. I like boys' things, spies and the Cold War.
I have a friend that is a WWII buff, and we sat and talked a lot about stuff like the war and the reasons behind it, and you now it's all in the uniform. Once you're in it, it usually does all the work for you.
I once laughed at the vanity of women of thirty or forty who whitened their ruddy old skin with lead, but now I know such salves are not disguises for old crones who wish to catch a young husband. Instead they are only a mask we wear so that we can, ...
A determined Yankee book drummer once told a Southerner that 'a set of books on scientific agriculture' would teach him to 'farm twice as good as you do.' To which the Southerner replied: 'Hell, son, I don't farm half as good as I know how now.
