There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.
I am an entrepreneur in the classic mold. No matter what I do - outside of sticking my tongue out - I tend to make money, and quite a bit in non-KISS stuff.
You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.
Yes, we're trying some new stuff. Some of it might work. Some of it might not. This, of course, is the nature of episodic television. They can't all be gems.
I thought maybe, just by never preaching, never doing any of that stuff because it doesn't work. By just maybe the power of example and some laughs, maybe somebody might go take a walk.
Boy, if Garth Ennis had created a religion, I would sure like to be a part of that. It just makes sense, the way he tackles things in it. It's really heavy stuff and it's incredibly well written.
I have a love-hate relationship with Twitter. There are moments I feel like 99 percent of the people who write stuff are the sweetest people, and then one crazy guy or girl spoils the whole thing.
At the time of Polaroid - and I did a couple of other commercials just before I stopped doing that stuff - at that point I was at the level where they respect you and your opinion and all that sort of thing.
For some ungodly reason, I end up being naked in a lot of stuff. But there is a certain grace and kudos that come with taking your clothes off on the first day, a respect that is given by the rest of the cast.
I used to think there was a scientific way to do things. Like a proper way to answer a question or that kind of stuff. It's like, there's not! There's not a method, there's not a science to it.
I didn't read comic books, growing up. I was more of a science fiction/fantasy novel guy. I loved reading Edgar Rice Burroughs' 'Tarzan' and that kind of stuff.
I started out writing much more science fictiony stuff and writing about science fiction.
I've grown as a person. The dynamics on this set are very demanding because we work a lot of hours, it's very sad material, so there's always someone upset because it's really heavy stuff.
I hate to let people down. I was like that in sports and I was like that in comedy. I was like that at work. When I worked General Motors and stuff like that, when I say something, I mean it.
I played football. I wrestled. Those were team sports and I played for the school. When I was younger, I played kick the can and stuff like that. I loved that.
There are moments when television systems are young and haven't formed properly, and there's room for lots of original stuff. Then things become more and more top-heavy with executives who are trying to guarantee the success of things.
In all of our society, but especially in Hollywood, there is an obsession with perfection that can lead to self-loathing and neurosis and all that kind of stuff.
I'm just not comfortable with that society stuff. I mean, we were just invited to the White House, but my husband won't take me because he knows I don't want to go.
Human rights commissions, as they are evolving, are an attack on our fundamental freedoms and the basic existence of a democratic society... It is in fact totalitarianism. I find this is very scary stuff.
I do know a lot about Scientology. And I know about the practices. I know all about what the technology is and all that kind of stuff. It's very helpful.
I love to make songs out of some of those shadows - you know, some of the things you lie awake thinking about, social anxieties and romantic insecurities and all that stuff.
