I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, ...
When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song...
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating yo...
The problem is that once I start on a song and get a rough idea of where I might go with an arrangement, I try dozens, sometimes hundreds, of different things on a song. The bass, the backing guitars, the lead guitars, the keyboards. It's a long proc...
Barriers have been broken: rappers are singing, and singers are rapping. You might catch a rapper on a rock song, a pop artist on a hip-hop song - there are so many different things that are going on today. That is the same way in which we live our l...
I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my pa...
I felt a real strong connection and still do with Hanukkah. So it started out by doing concerts on Hanukkah, the Festival of Lights tour, and then, yeah, let's make some Hanukkah songs. Let me make a Hanukkah song that kids can listen to, party to an...
Time slipped and slid around him, unanchored by any fact that could be verified. Perhaps it did not matter. 'Where does our story take place, and when?' asked Cocteau at the start of Orphée. 'It's the privilege of legends to be ageless. Comme il vou...
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. ...
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit o...
And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would w...
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station ...
I'm a huge Joe Nichols fan, and he put this song out an album called 'Real Things.' I was excited for Joe when I heard it, thinking 'that will easily be Joe Nichols' career song.' I was even more excited when they got out of that album and they never...
I think there’s no greater joy than completing a song out of thin air. It’s like inventing something, but it’s invisible, you know? It’s weird. It amazes me. You can send it out in the world, and that’s the joy. It’s like giving birth to ...
Who decides what is and what isn't punk? I want to write songs that people hear and feel, and I want to be successful and reach a big audience. I'm not trying to be the coolest guy in the world; I'm trying to write songs that mean something to people...
For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the...
If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in ...
K.C.'s Friend: [watching The Krokodiloes sing] What ever happened to Cole Porter and Irving Berlin? KC's Friend: It's a Valentine's theme. They're singing love songs. K.C.'s Friend: Good point, 'cause Cole Porter and Irving Berlin never wrote any lov...
In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a ...
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African ...
Lyle: [railroad workers are singing "I Get A Kick Out of You"] Hold it! Hold it! Hold it! What the hell is that shit? I meant a song. A real song. something like [singing] Lyle: Swing Low/ Sweet Chaaaariooooot [workers look confused] Lyle: Don't know...
