There are so many music genres competing against each other, but I feel like country music has always been a unified front.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
I've been informed by both sides, jazz, western music, Asian music, African music, all sides, because I've been interested in the sound of the universe, and that sound is without limit.
I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.
Music runs through everything I do - I even think musically; even when I was acting, but, especially, when I am directing. Directing is very musical.
You don't ever want to devalue music. Music is important; it's necessary product. I always try to make sure that there's a value - that people appreciate music and realize that there's a value to it.
The whole world has changed much since the '80's. In the united States, rap music and country music dominate radio and that certainly wasn't the case in the early '80's.
America is tough for rock music. Rock n' roll used to be the main music for the youth, and it's not so much anymore. It's hip-hop and stuff.
Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.
I make music that I know that people will enjoy, and balance the ideas and philosophy that we put in music with music that when we play it live, people can move to it and groove to it.
The musical theater is a glorious and distinctly American innovation in the history of theater.
Maybe I'll be a feminist in my old age.
There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attra...
Why is it that the musical public is seemingly so reluctant to consider a musical composition as, possibly, a challenging experience? When I hear a new piece of music that I do not understand I am intrigued - I want to make contact with it again at t...
The old man slowly raised himself from the piano stool, fixed those cheerful blue eyes piercingly and at the same time with unimaginable friendliness upon him, and said: "Making music together is the best way for two people to become friends. There i...
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy a...
Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaf...
Long gone was the cheery welcome of the seaside hotelier, replaced by a weary nostalgia for the good old days.
In every age 'the good old days' were a myth. No one ever thought they were good at the time. For every age has consisted of crises that seemed intolerable to the people who lived through them.
