For if the mystery concealed of old is made manifest to the Apostles through the prophetic writings, and if the prophets, being wise men, understood what proceeded from their own mouths, then the prophets knew what was made manifest to the Apostles.
I was living as a young single mom. I was 19 when I was divorced, and my daughter was a year old, and I waited tables here three to four nights a week for several years while I was trying to support myself and my daughter and the day I got that accep...
I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be.
People feel the worst film I made was 'Jack.' But to this day, when I get checks from old movies I've made, 'Jack' is one of the biggest ones. No one knows that. If people hate the movie, they hate the movie. I just wanted to work with Robin Williams...
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
I'm really proud of 'Moneyball.' To me, it's about feeling pride in a movie I made. I think when I'm an old man I'll be able to show it to my grandkids with pride. That's all I can really go for: making movies to please me.
I've just grown a little disappointed with 'Muppets in the Old West', 'Muppets Under Water' and all these weird concept movies. I just want to go take it back to the early 80's, when it was about the Muppets trying to put on a show. That's what I'm t...
If you look at films about becoming a man, coming-of-age movies are made with 12-, 16-, 40-, 50-year-olds... For a guy to feel like he's a 100 percent grown-up is almost like giving up. Like admitting that you're on your way into the grave.
Dilios: [narrating] The Ephors choose only the most beautiful Spartan girls to live among them as oracles. Their beauty is their curse. For the old wretches have the needs of men... and souls as black as hell.
[as they pass over the lunar surface] Fred Haise, Sr.: Mare Tranquilitatis - Neil and Buzz's old neighborhood. Coming up on Mount Marilyn. Jim, you've got to take a look at this. Jim Lovell: I've seen it.
Jesse James: Yeah, just ain't no peace with old Jesse around. You ought to pity my poor wife.
Marty McFly: I had a horrible nightmare. It was terrible. Lorraine Baines: Well, you're safe and sound now. Back on the good old 27th floor. Marty McFly: 27th floor?
Old Lorraine: Aren't you and Jennifer getting along? Middle-Aged Marty: Oh, yeah, great Mom. We're like a couple o' teenagers, ya know?
Marty McFly: [Doc and Marty use explosives to get in the old Delgado mine, which is near a graveyard] I think you woke up the dead with that blast!
[being shown a picture Bunny's old farm home] The Dude: Oh boy. How ya gonna keep 'em down on the farm once they've seen Karl Hungus.
Mr. Helpmann: Bad sportsmanship. A ruthless minority of people seem to have forgotten good old-fashioned virtues. They just can't stand seeing the other fellow win. If these people would just play the game...
Harry: [to Yuri] An Uzi? I'm not from South Central Los fucking Angeles. I didn't come here to shoot twenty black ten year olds in a drive-by. I want a normal gun for a normal person.
Hamilton Swan: I'm now a big old tchai tea latte soy milk kind of guy. Meg Swan: Mmm. Soy. Because of the lactose. You're lactose intolerant now.
[first lines] Chance the Gardener: Good morning, Louise. Louise: He's dead, Chance. The old man's dead. Chance the Gardener: I see. [Chance goes back to watching TV]
You know that everyone thinks that in order to do South Park we must be wild, crazy, rock and roll stars. But the truth is we're just wholesome middle-American guys. We enjoy soda pop, baseball and beating up old people just as much as anybody.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film...
