I went to Morocco, joined a band called Pegasus, ran out of money, went to Gibraltar and worked on the docks, writing songs about the sun and the morning and the birds.
I'm not financially insecure anymore either so I don't have to sit there and get on the latest Poison tour just to make money, which is what a lot of them are doing.
When I designed my first house in L.A., I didn't have any money - I did it all on my own. I liked that.
When I was 16 I'd watch 'The Godfather,' but I didn't think, 'Right, I'm going to go down the barber's and get some protection money off him.'
I once had money to burn. I'd fly to Barbados for the weekend. I lived in a twenty-two-room mansion and had my pick of four luxury cars.
I'd never really thought about it before, but now you ask I can see that how my parents handled money definitely affected my relationship with it.
Most of my playing style is very on point - the tapping, just by nature of being rhythmic, is tight - so I'd like to explore something looser and less precise.
With me, personal relationships are like my religion. I care that deeply about them. I am the complete opposite of a manipulative smoothie.
I was never raised with the traditional story of creation in religion, and because of that I think I had a lot of questions. And evolution, the evolutionary narrative, helped provide some of that for me.
I am spiritual but not massively religious, and I don't go to church. If someone said 'What religion are you?' I would say 'Christian.' But I don't practice.
I was sort of born into a Subud cult that has ties to Islam and Indonesia and Middle Eastern spiritualism. My parents were kind of trial-and-error when it came to religion.
I have my own religion. I'm sort of one-quarter Baptist, one-quarter Catholic, one-quarter Jewish.
Religion is a strange, wonderful thing. More crimes have been committed in the name of righteousness than any other notion.
Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
I think that there are many aspects to the relationship between humans and animals. But briefly, humans appear to have always been fascinated by them from the time of cave paintings and before.
Whether it's a relationship or what you're wearing, or how much you weigh and what you said when you didn't mean it, like - it's hard to be totally under the microscope.
That's what I do and I enjoy even the hateful moments of a relationship where two people or four people come together to make a bigger mess than originally intended.
My childhood definitely revolved around my relationship with my brother. I wanted to be different. I wanted to find my way of being as intriguing and interesting as he was.
For a woman who's a widow and pretty much a loner, I can walk out, and I'm surrounded by NYU kids. The energy jumps off the sidewalks, and I never feel sad or bored.
Mainly, I thought of Barney as a kid. You can always look into the faces of kids and see what they're thinking, if they're happy or sad. That's what I tried to do with Barney.
When you're happy you don't always have to be laughing, and when you're sad you don't have to be crying; sometimes it's the opposite. You laugh when you're the most upset.