Fashion is more about taste than money - you have to understand your body and tailor clothes to your needs; it's all about the fit. I do the alterations myself - I'm quite a seamstress - it's the influence of my Hungarian mother.
I wanted to be an empowered woman, and I became an empowered woman. And now I want to empower every woman. And I do it through my clothes, I do it through my words, I do it through my money, I do it through everything.
I used to do my own taxes. You know how you buy that gigantic sheet at Staples, add up the restaurants, clothes, and taxis and glue your receipts into the book month by month? The more money I made, the more complicated things got.
I was never really a Mod. I thought I was more of a beatnik with the brown corduroy jacket, blue jeans, etc. I loved the music Mods liked, and I loved the clothes, but I didn't have any money to spend on them.
When I spend money on myself, it's almost always on shoes and clothes. I'm addicted to shoes. I always have been, since I was a kid. When I was young, I could never get the shoes I really wanted.
We've forgotten to respect clothes and consider who made them and where the material came from. We've been encouraged to buy things and, if we don't like them, bin them. When I grew up, we'd repair things or alter them.
I've always been into fashion since I was a kid. I love fashion. I appreciate it. I just enjoy dressing up and getting all the new sneakers and all the hot exclusive clothes - I did even when I was young.
I love being able to wear dresses and clothes that make me feel feminine and beautiful, and I love the fact that I don't have to all the time; I can wear a tank and jeans.
I like wearing beautiful clothes, but that does not translate into my work. People don't like to see me as a glam doll in my movies. My audience and the media love me with two different perceptions. It's a strange, crazy situation.
Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.
I'm 19, I'm a girl, I'm very young, I like all sorts of different things, I like all sorts of different styles of music, I like all sorts of different styles of clothes, I like all sorts of different colors of hair.
I still get butterflies when I'm doing a runway show. The music starts, you're wearing these gorgeous clothes and your nervous about your high heels, if your shoes are going to break, if your going to slip or do something wrong.
Standing as a witness in all things means all things - big things, little things, in all conversations, in jokes, in games played and books read and music listened to, in causes supported, in service rendered, in clothes worn, in friends made.
As I get older, I use less jewelry - necklace or earrings each morning, not both; my clothes are getting more basic - fewer colours and simpler cuts; and my make-up is stripped back to basics.
I often say television is not a job for grown men. You go to a set, they pick out your clothes for you, they tell you where to stand, what to say, and your chair has your name on it in case you can't find a place to sit.
Women's fashion is a subtle form of bondage. It's men's way of binding them. We put them in these tight, high-heeled shoes, we make them wear these tight clothes and we say they look sexy. But they're actually tied up.
I vaguely remember in the '90s when Calvin Klein started making unisex CK1. Don't worry about whether it's made for men or women. Listen, we all like to put mum's clothes on sometimes. What's important is that it feels right for you.
I see there is a lot of behaviour in men's fashion, which is systematic. It's a lot about all these kind of clothes that can be easily combined with each other, and it's less and less, I think, about making a fashion statement.
Penny Lane: Hey, when we go to Morocco... I think we should wear completely different clothes... and be completely different people. William Miller: What will our names be?
There is a sensuality about fabric. I think all materials should be inviting when they touch the skin. When I watch children stroking their mother's clothes, I feel that I have succeeded.
I peeled the skin off a grape in slippery little triangles, and I understood then that I would be undressing every item of food I could because my clothes would be staying on.
