I used to come up with these crazy jobs to try and provoke my parents but they said, 'You can be anything you want.' So I was like, 'I want to be a garbage man' and they were like 'That's OK, we'll still love you!'
For a long time, television said, 'We won't cover cricket unless you pay us to cover it.' Then they said, 'OK, the next rights are sold for 55 million dollars. The next rights are sold for 612 million dollars.' So, it's a bit of a curve, that.
That's about the 1,000th and tenth time (I've been asked about my neck). It's OK. I'm been doing a little stuff. I got some stuff from UT, weights to build you back up.
Jacob: Are you the billionaire owner of Apple Computers? Cal: No. Jacob: Oh, ok. In that case, you've got no right to wear New Balance sneakers, ever.
Julie Simms: You're Mitch. Heard about you. Mitch: Really what have you heard? Julie Simms: You know, you ok? Mitch: [embarressed] Oh, yeah
Slater: You cool man? Mitch: Like how? Slater: [rolling his eyes as he walks away] OK. Pink: He was asking if you get high.
Ray Kinsella: [about the reclusive Terence Mann] OK, the last interview he ever gave was in 1973. Guess what it's about. Annie Kinsella: Some kind of team sport.
Marge Gunderson: OK, so we got a trooper pulls someone over, we got a shooting, these folks drive by, there's a high-speed pursuit, ends here and then this execution-type deal.
Mikey: [to Andy after she hits a wrong note on the piano] It's OK, you're a Goonie and Goonies always make mistakes... just don't make any more.
Diego: Who just saw some titties? [Mark, Largeman and Sam raise their hands tentatively] Diego: Ok. Now everybody calm the fuck down!
Stu Price: [soothing a crying baby] We're going to be okay. Everything's going to be ok, alright? [tuning in panic to Phil and Alan] Stu Price: WHAT THE FUCK IS GOING ON?
Jonathan Mardukas: You're OK, Jack. I think... under different circumstances you and I probably still would have hated each other! [Both laugh loudly]
Rosemary Woodhouse: I thought you were Victoria Vetri, the actress. Terry Gionoffrio: That's OK. Everybody thinks I'm Victoria. I don't see the resemblance, though.
Gonzalez: You know, Mr. Shepard, me and my friends think your Jose Jimenez imitation is A-OK. But what you're doing with it is B-A-D.
Wyatt Earp: [Before the shootout at the OK Corral] "It's not your problem, Doc, you don't have to mix up in this." Doc Holliday: [Offeneded] "That is a hell of a thing for you to say to me."
The second thing we did was said, OK, we've now identified the risk, but what do you want to do with the money? Because it's not enough to have risk; you've got to have a meaningful use for the money we give you.
Obviously when you're a teen you have no money, so you make, like, three outfits out of one dress. You're like, 'OK cut the arms here. Alright: New party, cut them to here.'
You know, you're living in a society where if you say something that you might think may be OK, when it's more sensitive to that particular culture. You have to be very, very careful.
I'm just not into trying to convince people like me. I always say to myself, 'It is what it is.' I walk into a situation knowing that people are either going to love me or they're not, and that's OK. I'm just going to be me. You can't be everything t...
OK, I love 'The King and I.' I'm a huge Yul Brynner fan. I love the scene where they danced after the big banquet; that's one of my favorite scenes in a movie of all time. It's romantic and sweet and wonderful.
I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.
