Maria: [singing] I feel pretty, oh so pretty! I feel pretty, and witty, and gay!
Rachel Lapp: Are you enjoying your reading? John Book: Oh yeah. I'm learning a lot about manure. Very interesting.
I read so much stuff that black women say, especially about my relationship. 'Oh, he left his black wife to go be with some exotic chick.' First of all, my girl is black: she's Jamaican.
I will have my publicist pull pictures of the way I look at events so I can see, 'Oh, that cut is not as flattering as I thought,' or 'I should smile bigger,' or 'That positioning is odd.' I learn from it.
I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
I love being on stage. There's nothing better than that feeling; ever since the first time I was on stage, I was like, 'Oh, this is what it means to be fully alive and satisfied.' I don't think anything's as satisfying as a play.
Sometimes directors will hire you and say, 'Oh, we love your work.' And then they start to tell you how to do it. I say, 'Hey, man, back off. You hired me to do it. Let me do it.'
Oh my goodness, I'm in love with Channing Tatum, although I think I'm too old to play his love interest. They'd probably cast me as his grandmomma's friend or something like that, but anything to be in a movie with Channing.
I am always honest, and I am not the sort of player to say, 'Oh, I love Arsenal' and then sign for someone else. I think if I was unhappy, I would say that, but I'm not. I do love Arsenal.
I love shopping in New York just because you walk around and find a little store you've never saw before, and you're like, 'Oh what's that? This is my new favorite place.' I love that about New York.
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too.
I know Diplo knows a lot about underground music culture - he was one of the people to put me onto music like that when I used to listen to the Mad Decent Mixes. It was like, 'Oh, he knows what I want.'
When I was 15, I came downstairs one morning, picked up mother's newspaper and, oh, what a shock! The Titanic had gone. The 'unsinkable' ship - but it had gone down so simple.
The worst is when men try too hard, because it's not very masculine. Your outfit has to look like 'Oh, I just grabbed that.' Not too calculated. Jeans, a t-shirt: the simpler the better.
Oh, there's so much ego with men; in their head, they can't possibly think about Tesco's when they are doing Othello. Er, why not? They want to think that they are such geniuses they can't muddy their day with domesticity, and I've got no truck with ...
The working men, I'll go by and they'll whistle. At first they whistle because they think, 'Oh, it's a girl. She's got blond hair and she's not out of shape,' and then they say, 'Gosh, it's Marilyn Monroe!'
Animation is very singular. Like, even the 'Toy Story' movies. People will go, 'Oh, gosh, you're so lucky, getting to play opposite Tom Hanks!' And it's, like, 'It may have appeared to be that, but we were never in the room together.'
Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.
[a flock of sheep block the road as the car screeches to a halt] Richard Hannay: Hello, what are we stopping for? Oh it's a whole flock of detectives.
Jane Burnham: [seeing Lester having just been shot] Oh, my God... Ricky Fitts: [looks at Lester, curiously intrigued] Wow...
Lester Burnham: [talking to Carolyn about Jane] Oh, what? You're mother of the year? You treat her like an employee.
