I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
I grew up in a town with a great wrestling tradition. Then I was a team sport queen in high school; I played softball, volleyball, and soccer. Oh, and I also did ski racing.
Seasons are really annoying. You get a really great pair of shoes or a beautiful pair of boots, and then you try to get them again four months later, and they say, 'Oh no, that was last season.'
Oh, I've become immune to the Booker. I think we need something a little more like the Pulitzer prize, where there isn't this great race.
People keep saying, 'Oh, you're getting all these great reviews, that must make you really happy.' I guess it does, but mostly it's just a relief.
When you're a kid, you think 'Oh, it's so great. I'm going to go to Hollywood. I'm going to go to Broadway.' For a long time, it was such a novelty.
Oh, I'm a great believer in the power of the pause. Radio is a bit brasher now. My style was slower. I just used to go in, open the microphone and say the first thing that came into my head.
Don't look at your legs and think: 'They're fat.' Think: 'These things carry me around all day, and I don't have arthritis. Oh, and I've got great ankles.'
I feel like when I try to fit in, it comes across as not genuine, and that is not good. I'd rather just do me and have people say, 'Oh. That's interesting,' than try to fit in.
The dynamic between two individuals starts off with everything warm and nice and fabulous and good. Working and living together can serve you quite well, but when it starts to go wrong - oh, boy!
You don't learn from good people - they've found what works for them and are completely original; you learn from the people who are bad. You think: 'Oh dear, I'm not going to do that.'
It's too heart-wrenching doing the solo thing. I throw myself into it and get so excited, and then 2000 people buy it and you're, like, 'Oh. I guess it's not that good after all.'
Sometimes I eavesdrop on people. I could rationalize it - oh, this is good anthropological research for characters I'm writing - but it's basically just nosiness. It also helps me gauge where I'm at: Am I normal?
I think I have an inherent modest level of stress, but I'm only super-aware of it when it goes away, when I'm on holiday and I think, 'Oh this feels pretty good.'
When I got signed as a songwriter, I immediately thought, 'Oh, no one sees me as an artist because I don't look good enough.' So I shut down the whole idea.
I have a lot of secret uses for sour cream, which is the magic ingredient in my mac and cheese. It's an old-timey, Southern version, and the sour cream makes it that much creamier. Oh, it's so good!
You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going.
People will go into an audition and a casting situation, and they'll see someone across the room that's perhaps slightly famous, or famous, and they think, 'Oh God, I'm not gonna get the part.'
I never conceived of not writing a novel. I believed - oh, God, I believed, it was an article of faith! - I was born to write a novel.
Oh, it is wonderful to know that our Heavenly Father loves us - even with all our flaws! His love is such that even should we give up on ourselves, He never will.
When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?
