One decision I made in writing 'Henry and Clara' was that I would keep Lincoln's appearances and any dialogue by him to an absolute minimum, because I think readers don't quite believe it when novelists have Lincoln walking around and saying things. ...
As a novelist, you could say that I am dreaming while I am awake, and every day I can continue with yesterday's dream. Because it is a dream, there are so many contradictions and I have to adjust them to make the story work. But, in principle, the or...
I had wanted to be a novelist for so long, but I didn't have a story. That story came from the death of my father, and wrestling with how to help my mother. Writing it allowed me to work through my fears, frustrations and desires. I wanted control ov...
I teach in M.F.A. programs now, and I think that's a great way to become a novelist, but I mourn that Pete Dexter and Joan Didion's route is maybe less likely because there are fewer of those jobs. I always liken it to playing piano in some great div...
Even when I was living below the poverty line as a novelist, I was still living better than 99.5% of the human population of the world. But in my little, soft realm of trying to amuse a few dozen middle-class people with my books and articles, I did ...
I use these senses - touch, sight, feel and smell - as triggers that invite readers or propel them into the scene. The trick is not to make it obvious. I've written an entire chapter about this in my book, 'The Successful Novelist.' I've lectured abo...
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman ...
I hoped at first to find a rather more direct comprehension of life in one or two novelists and poets; but if they really had such a comprehension, it must be confessed they did not show it; most of them, I thought, did not really live - contented th...
When I say that George Eliot has long been my hero, I mean to include those aspects of her thought and temperament that have been disparaged or dismissed or ignored. She was, after all, a novelist who did not eschew politics or polemics - sometimes s...
Good girls like myself need subversion. Being solemn, I aspire to comedy. Being a novelist, I aspire to the musical. Being organized, I aspire to luminous chaos. Loving the power of grammar and the fine distinctions of language, I seek the part of th...
Novelists who pretend to understand what keeps them scribbling are really just guessing. A profound, unmet childish need to be acknowledged? Maybe. It hardly matters, though. The termite that asks itself why it keeps chewing risks becoming sluggish a...
Perhaps then one reason why we have no great poet, novelist or critic writing today is that we refuse to allow words their liberty. We pin them down to one meaning, their useful meaning: the meaning which makes us catch the train, the meaning which m...
Writers (my kind of writers: aspiring novelists, ruminative thinkers, people whose brains don't work quick enough to blog or link or tweet, basically old, stubborn blowhards) were through. We were like women's hat makers or buggy-whip manufacturers: ...
A brick could be used to help you become the next Great American Novelist. Hopefully after you use it to crack your own skull, and not too long after your death, the public will realize your genius and celebrate the greatness that was you.
One cannot judge in advance whether or not the idea of the story is worthwhile because until one has finished writing the story one does not know for sure what the idea is; and one cannot judge the style of a story on the basis of a first draft, beca...
Because his art is such a difficult one, the writer is not likely to advance in the world as visibly as do his neighbors: while his best friends from high school or college are becoming junior partners in prestigious law firms, or opening their own m...
To make a deliberate falsification for personal gain is the last, worst depth to which either scholar or artist can descend in work or life. ( , 8 September 1935)
...the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied tenfold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those...
They (the novelists) became the voice of the citizen against the ubiquitous raison d'état, which reappeared endlessly to justify everything from unjust laws and the use of child labour to incompetent generalship and inhuman conditions on warships. T...
In Ruth's view, they looked 'like a couple' because they seemed to possess some terrible secret between them - they appeared stricken with remorse when they saw her. Only a novelist could ever imagine such nonsense. (In part, it was because of her pe...
When you get inside a literary novel you feel that the author, more often than not, just doesn't know enough about things. They haven't been around enough - novelists never go anywhere. Once I discovered true books about real things - books like 'How...
