[Annie has just read Paul's latest novel] Annie Wilkes: YOU! YOU DIRTY BIRD, HOW COULD YOU! Paul Sheldon: What? Annie Wilkes: She can't be dead, MISERY CHASTAIN CANNOT BE DEAD! Paul Sheldon: Annie, in 1871, women often died during childbirth. But her...
Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward ac...
At least a third of the world’s population are introverts. While they can pretend to be extroverts for a while, frankly, the task is exhausting. I hope Charlotte accurately portrayed the complexities of this personality. Contrary to common belief, ...
most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man’s wives and daughters so that they...
It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he h...
A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treas...
"I always read everything when I was a kid-and I do mean everything, from Nancy Drew to Dickens to my dad's John D. MacDonald-but then I went to regular school and the English teachers started telling me to read 'real' books, so I tried. And you k...
Thomas Wolfe warned in the title of America’s great novel that ‘You Can’t Go Home Again.’ I enjoyed the book but I never agreed with the title. I believe that one can never leave home. I believe that one carries the shadows, the dreams, the f...
Two months in Shanghai, and what does she have to show for herself? She had been full of plans on the plane ride over, had studied her phrase book as if cramming for an exam, had been determined to refine her computational model with a new set of dat...
There is quite enough sorrow and shame and suffering and baseness in real life and there is no need for meeting it unnecessarily in fiction. As Police Commissioner it was my duty to deal with all kinds of squalid misery and hideous and unspeakable in...
The novel should tell the truth, as I see the truth, or as the novelist persuades me to see it. And one more demand: I expect the novelist to aspire to improve the world. ... As a novelist, I want to be more than one more dog barking at the other dog...
Stumbling closer, I held up the manuscript, the pages flapping frantically in the wind. “I take it this is a murder mystery? You killed the ex-fiancée and thanked her in the dedication? Mighty dignified of you, I must say.” “Nah. It’s a horr...
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid w...
If we bear in mind the inherent shortcomings of the genre, it may fairly be said of Ms Lewis-Foster that she possesses a rare art: the art of making a bad story plausible. She even has a few good lines—one day I shall plagiarise "wine-warmed smile"...
The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool. And that works all the way from the extern...
I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it...
YA stories feature a young adult protagonist or protagonists and usually focus on that character’s journey toward maturity (the tradition of the Bildungsroman.). Learning about love / relationships is an important part of that stage in our lives, s...
Alfred: Susannah, you know how much I loved Samuel. And I think you know. Out of respect for him I wanted to say it in this place. I think you know that I'm in love with you. From the first moment I saw you. Like in a novel. That's my mother's romant...
Jack: I might be in love with another woman. Miles Raymond: In love? Really? 24 hours with some wine-pourer chick and you're fucking in love? Come on! And you're gonna give up everything? Jack: Here's what I'm thinking: you and me, we move up here, w...
Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra—they’ll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is cove...
We're not going to make it," I said. The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, A...
