The kitchen of the Big House was always one of my favorite places. Airy and sunny. No modern cabinets or anything like that. Just a room full of windows, set into wise, worn walls.
The woman you thought you talked to was like one out of my novels, nothing more than a dream, and illusion I conjured to feel better. That’s all I ever will be, unable to be that woman in real life.
If you're a writer, the problem is that, when you try to call a halt to thinking about your novel-in-progress, your imagination still keeps going; you can't shut it off.
Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea.
My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic...
His gaze slid over me like a veil of fire. He could ignite my deepest desires with a single glance. I decided right then and there no more reading romance novels by candelight.
I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
How does a poor country defeat rich ones?” “Indeed, the answer is not by acquiring wealth in the sense that France has it.” “Meaning vineyards, farms, peasants, cows?” “But rather to play a sort of trick and redefine wealth to mean someth...
Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
But no one believes in that way what he reads in a novel...Oh yes they do. If only to see themselves as wise and superior and humanistic, they need to think of us as sweet and funny, and convince themselves that they sympathize with the way we are an...
I suspect that authors who start their careers writing for an adult audience - and who eventually produce a young adult novel or two - are more common than authors who begin by writing for young adults and who then gravitate toward composing somethin...
The fictional world seems larger, seems to have more dimension and richness when, for example, the protagonist from one novel you've read has a cameo role in another. I think that recognition is a very, very powerful phenomenon; it is one of the deep...
After I'd been in college for a couple years I'd read Shakespeare and Frost and Chaucer and the poets of the Harlem Renaissance. I'd come to appreciate how gorgeous the English language could be. But most fantasy novels didn't seem to make the effort...
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
Miss Austen’s novels … seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. The one problem in t...
I like to take people you wouldn't really think people would write novels about: an aqueduct engineer, a code-breaker, a hedge-fund manager. It's in those sorts of lives that I find more fascination than in a CIA operative or a Marine or something li...
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
In some ways I'm a frustrated scientist or mathematician. The amount of times I've thought I'd go back to university and do theoretical physics because I like the big questions, but really I know now that that's not quite me. What's me is to do it in...
As a civilian, I know nothing about combat, the Marine Corps experience or modern man's struggle adjusting to peace after war. I only know what's been shared with me; confidences I would never betray, nor use as details in a novel.
