If my shadow were made of ink, I’d kill it and use it to write a dark novel. Possibly a story about fractional banking.
No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons.
I've learned to accept the fact that my students are far too busy preparing for their own legal careers to care one bit about the off-campus antics of Professor Burke. I get the impression that my students are vaguely aware of my novels, but are at b...
Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 19...
I've loved 'Vanity Fair' since I was 16 years old. You know, we're all colonial hangovers in India, steeped in English literature. It is one of these novels that I read under the covers at my convent boarding school in Simla.
At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.
By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas.
We don't read novels to have an experience like life. Heck, we're living lives, complete with all the incompleteness. We turn to fiction to have an author assure us that it means something.
I couldn't follow the events of September 11 because I was proofreading a novel I'd just completed - on Islam and its quarrel with the West - that I'd promised, six months earlier, to deliver to my editor on September 12, 2001.
Brands are useful ways of short-handing practically anything - look at the way Tom Wolfe first used brand name lists to sharpen up a character and a situation. Look at the most brand-referenced novel, Bret Easton Ellis's 'Glamorama.'
Once, I thought I had a novel, and it turned out it was only a short story. I wrote about 800 pages, but it ended up being a short story. And if it ever happens to me again, I Will Go Insane.
My first novel, 'You Lost Me There,' has been described as a beach read. Tough bracket, beach reads. There's not much room for mistakes when you're competing against the sun for a person's attention.
My dream was to be known as a writer and to be able to produce at least one book that would be read by people. That dream came true with the publication of my first novel - and all the rest has been a sweet bonus.
After writing a novel, what is there to say? If a novelist could say it in a maxim, they wouldn't need 120,000 words, several years and sundry characters, plots and subplots, and so on. I'd much rather listen always.
With its vastly complicated plot and its immense cast of characters swirling around the case of Jarndyce vs. Jarndyce that has been grinding away in the Court of Chancery for decades, 'Bleak House' is, for many readers, Dickens's greatest novel.
I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature...
I had begun to write novels because of a fierce, self-serving impulse in my own heart. I had not considered the potential in a book for felt communion, the bright largesse of intimately participating in the lives of other people.
I abhor crime novels in which the main character can behave however he or she pleases, or do things that normal people do not do, without those actions having social consequences.
IF you wish to be a writer then don't wait until you write the "great American novel" for they aren't written they are created. If you don't write at all you won't know how "great" that simple book can be.
To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.
The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.
