And then what makes the work interesting is if you choose the right questions.
I was really more interested in dramatic work, but I thought, 'Well, I guess I could do comedy.'
When you talk about 'doing the work', that's the work I'm interested in. What can I contribute as a human being?
What is interesting to me is to find ways to work with early-stage innovators to build from the edge and work on tomorrow's ideas.
I would advise anyone seriously interested in acting to study, train, and work as much as possible... You will know soon enough if it's the right avenue for you.
I'm interested in generating work for myself. I have trouble with this waiting-for-the-phone-to-ring lifestyle, especially after drama school, which was so creatively fulfilling.
Film work can be very interesting, but it also can be awfully boring because who creates the film? The actors? No. It is the director. It's his piece of work.
Personally, as a print journalist, I always found the most interesting stories to be the ones hacks talked about in the bar after work.
I never wanted to work with celebrities. I have no interest. I don't really care about their egos and their publicists.
When I look at some of my old work, the pieces I find most interesting are the ones with people in them.
It is quite interesting that whilst there are tremendous theories, in the 1960s when IT was born, everybody was supposedly going to their cottage in the countryside to work in a virtual way.
I like to work with the same people when I can, and you want to get people with the same interests that you have, and the same aesthetic.
Children are far more interesting to work with than grownups. They're incredibly honest. They'll tell you exactly what they think.
There's a tendency to think that young designers only do fantasy fashion, but I'm more interested in making clothes that women can afford.
Women in general interest me. I like how women are more liable to talk about real things, personal things.
We should not conclude from this that everything depends on waves of irrational psychology. On the contrary, the state of long-term expectation is often steady, and, even when it is not, the other factors exert their compensating effects. We are mere...
Starshine’s greatest challenge is deciding whether a woman is too young to soothe or too old to shame. Handling the men is much easier. They may feign interest in figures and photos, but their underlying interest is for breasts and thighs. A genero...
It is a considerable point in all good legislation to determine exactly the credibility of witnesses and the proofs of a crime. Every reasonable man, everyone, that is, whose ideas have a certain interconnection and whose feelings accord with those o...
Perhaps this is what Henry James meant when he talked about the “irresponsibility” of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and a...
This is rather as if you imagine a puddle waking up one morning and thinking, 'This is an interesting world I find myself in — an interesting hole I find myself in — fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must ha...
A phenomenon noticeable throughout history regardless of place or period is the pursuit by governments of policies contrary to their own interests. Mankind, it seems, makes a poorer performance of government than of almost any other human activity. I...
