I love the idea of cooking, but I don't like using recipe books, so I'll put a mish-mash together, and it might be amazing by total accident, or it will be a catastrophe.
One of the most interesting things about the cognitive theory is the idea that anger and interpersonal conflict ultimately result from a mental con. In other words, you're telling yourself things that aren't entirely true when you're fighting with so...
I think what I learned in research is that as Americans, we're very distrustful of anger. We're not sure if we should repress it. The idea that anger is supposed to be controlled is American, and we try to keep it out of our homes.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
I'm not a religious person. But, when I look at a beautiful cathedral, what brings awe, what induces awe is the idea that architecture, you know, a beautiful cathedral, a beautiful building.
Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book.
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
Maybe philosophy - I love talking about ideas. Or maybe art history. I was thinking about psychology, then I got really afraid because everybody says it's terribly boring.
There's an axiom I live by: 'There is no art without politics.' You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback.
I think TV promulgates the idea that good art is just art which makes people like and depend on the vehicle that brings them the art.
Art is based on very clear, mathematical principles like proportion and harmony. At the same time, physicists need to be inventive, to have ideas, to have some fantasy.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
I've never been a big fan of subtle art. I like art that gets deep into my head and starts my brain spinning with new ideas and inspiration and my whole body is full of energy.
Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea.
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-exis...
The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told.
At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
The idea is to bring art to people who might never really interact with it. It's for all citizens, and it's about making the city more interesting and more visually significant.
I sometimes am challenged to imagine where the timbre of art should be. Should it be about objects that point to this current moment, or how objects are related to ideas of this current moment?
An artist without ideas is a mendicant; barren, he goes begging among the hours.
Besides, if there were no dragons of flesh and blood and fire, whence would come the idea for these stone carvings?
