I certainly feel fortunate in my career to have been able to continue to work in different mediums. I don't ever want to be the guy who gets really good at one thing and just does that over and over and over again.
I have one good girlfriend and then most of my friends are guys. Which I love, because they're just like so easygoing and I love to play like Xbox and just chill out when I'm not working, so boys are probably the way to go for me.
My version, of course, is not this flag-waving, let's all get on the Jesus train and ride out of hell. I'm not that kind of guy. It's an embrace that life is good, worth living and yeah, it's not easy, but there are more pluses than minuses.
I grew up a child of Watergate. It gave me a good dose of skepticism about authority. One of my favorite movies is 'All the President's Men.' Woodward and Bernstein, those guys were my heroes. I have a degree in journalism.
I'd always been the confident guy in school. I was good in math and English, but I was still shy. I couldn't get up and speak in front of people. I was asked to do it when I was 10 years old and I burst out crying.
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't i...
The key to any good sports story is identifying the defining moment. In football games or a boxing match, it's usually pretty obvious. But in golf, sometimes it happens on Thursday. Usually it's Sunday, but guys who don't know the game, they can miss...
I think everybody has to be better, right from me out. Everybody has to step up their games for us to be successful here. I've been lucky to be on some good teams over the years and that's what it takes, everybody contributing night after night.
All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.
We have about 4 million people who have voted for who they want to see in the Hall of Fame. There are some people they put down that are pretty good players. You have Ray Guy, Jim Plunkett, Lester Hayes and Donnie Shell.
If I play a villain, I try to find his lightness and his good side. And if I play a hero or a good guy, I'll try to find his darkness or his flaws. Because I don't believe in good and evil. I believe in grays.
I was happier going back to my roots: training like men do in my hometown of Pittsburgh. Back home the guys in the gyms don't lift to look good; they're lifting to lift. They do it because they want to squat more and bench more.
You know, I'm not saying, 'Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.' I look at it more like: does this role has a kind of urgency for me in terms of, 'Can I not say no to it for whatever reason?'
The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good.
As long as I feel the love of the game and my health is good, I'm going to play. I don't want to be one of these guys who stays too long or regrets leaving early. Football has been great to me.
I cannot approach someone; I lack the confidence when it comes to the guy I desire. I'm very good when it comes to matchmaking and hooking others up. But I can't help my own cause.
Even when I do roles that are really profoundly abusive, like, I would say, in 'Deadwood' - there's a guy who's a breeding ground for ignorance and hurtful behavior - the fact that people are so taken aback by that is a good thing because they're loo...
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
When I am behind and I am looking ahead and there is that line in front of you, of that guy, of winning and losing, then I really hang it out there and take big risks to make the speed up, and then I'm pretty good at passing.
I am really drawn to damaged characters, and I have a lot of sympathy for them. Making those complicated characters empathetic is something to strive for. It's too easy to create a good guy or a good girl.
I think the most rewarding part of the job, and I think most coaches would say it, is practice. If you have it, a very good practice in which you have 12 guys participate, and they can really get something out of it, lose themselves in practice.
