I guess they often cast me as the bad guy, because I'm not, er, conventional looking. I look sort of violent. I'm the odd one out, the outsider.
I never threw the spitter, well maybe once or twice when I really needed to get a guy out real bad.
I wasn't naturally gifted in terms of size and speed; everything I did in hockey I worked for, and that's the way I'll be as a coach.
I get a feeling about where a teammate is going to be. A lot of times, I can turn and pass without even looking.
I'm not a computer guy. I'm like an anthropologist. I'm fascinated with people's obsessions. I've learned to wear them.
My biggest hero was Roman Gabriel, who was the QB of the Rams, and Roger Staubach. Those were the two guys I tired to emulate when I was little.
I'm not prejudiced in any way that I can think of. That's just not the guy I am.
I was very short when I was little, so I probably had - and there may be a residue of it now - that Napoleon complex. Wanting to be as big and as powerful as the big guys.
We can learn much from wise words, little from wisecracks, and less from wise guys.
I'm a lucky guy and I'm happy to be with the Yankees. And I want to thank everyone for making this night necessary.
There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
For a girl, the wedding is when you're married. For a guy, it's when you get engaged. It takes a real aggressive human being to back out between the ring and the wedding.
Interested listeners have only to hear the recording to find out if those guys, who go to such pains to undervalue my work, are right. All people have to do is listen to realize it is a beautiful record.
With my guys and with the way that we live out there, we work out a lot and try to eat right, but we try to basically keep it our own rhythm and our own world.
I don't want to be typecast as the 'ambient guy' or someone who only does electronic scores. I think most of the work that comes my way is because people feel they know me musically.
And, all these things need to be coordinated; so we all need to work together, have timers going and everything so we're all coordinated and get this piece of orchestration done.
The crew members for 'The Price Is Right' at night are the same guys who work 'Y&R' during the day. It's even in the same studio. I've been in the place for 15 years. So all the faces at 'The Price Is Right' are familiar.
I enjoy getting to work on 'Saturday Night Live', where I get to do people like David Paterson. And then, its like a different muscle to do someone like a bicycle guy on' Portlandia'.
The players have competed on the level the last 25 or 30 years are always going to be the players that compete at a high level. These guys practice hard, they work on their game, they still hit the ball extremely well.
There's sort of an open offer to work with a guy in Los Angeles who does big band and orchestra arrangements who was at least an acquaintance to Les Baxter before he passed away.
All my buddies over the years, like Kevin Costner and the guys - I see 'em go here, I see 'em go there - but I just do my work.
