Stop thinking all the time that you're in the way, that you're bothering the person next to you. If people don't like it, they can complain. And if they don't have the courage to complain, that's their problem.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke...
Anyway, how can you sack anyone who still hasn't got a contract. I'll be there for the game and I'll stand behind the dugout giving instructions to the players from there. They will respond to me more than the next manager.
The Capitol was an occasion where you arrive at a sign in the road that says you have arrived at a place you may not have expected to be, but you know how you got here: Next!
Never trust a person whose smile doesn't reach their eyes, chances are they do similar thing when they "cry" - Just be sure you have that OSCAR ready next time they do this
I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.
All day long, I'm creative, and the second I get a little tired of any given medium, I just shut that area down and go to the next room. I just go do something else.
Advertisers don't want to put their ads next to the investigative story; it's extremely difficult to do that. And very few people today actually read those serious news stories on the Web now.
If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day.
Sliding headfirst is the safest way to get to the next base, I think, and the fastest. You don't lose your momentum, and there's one more important reason I slide headfirst, it gets my picture in the paper.
I'm hoping that maybe everyone on the Olympic team thinks that I'm worthy to carry the flag. That's my next goal, to carry the flag during the opening ceremonies, if everyone chooses me.
We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
Living next to you is in some ways like sleeping with an elephant. No matter how friendly and even-tempered is the beast, if I can call it that, one is affected by every twitch and grunt.
Ideas excite me, and as soon as I get excited, the adrenaline gets going and the next thing I know I'm borrowing energy from the ideas themselves.
When I'm writing, I write every day. It's lovely when that's happening. One day dovetailing into the next. Sometimes I don't even know what day of the week it is.
If any player has a bad game it's there in the back of your mind in the next game. There's always a hangover. It is like a wounded animal in a way, as you want to get out there as quick as possible and rectify it.
Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.
We bear witness to the worst of human brutality, retweet what we have witnessed, and then we move on to the next atrocity. There is always more atrocity.
Very often, what is meant to be a stepping stone turns out to be a slab of wet cement that will harden around your foot if you do not take the next step soon enough.
Sometimes we do grip the concert in a human head, and so hold it that in a way we get a record of it into paint, but the vision and expressing of one day will not do for the next.
I even smoke in bed. Imagine smoking a cigar in bed, reading a book. Next to your bed, there's a cigar table with a special cigar ashtray, and your wife is reading a book on how to save the environment.
