All day long, I'm creative, and the second I get a little tired of any given medium, I just shut that area down and go to the next room. I just go do something else.
Advertisers don't want to put their ads next to the investigative story; it's extremely difficult to do that. And very few people today actually read those serious news stories on the Web now.
If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day.
Sliding headfirst is the safest way to get to the next base, I think, and the fastest. You don't lose your momentum, and there's one more important reason I slide headfirst, it gets my picture in the paper.
I'm hoping that maybe everyone on the Olympic team thinks that I'm worthy to carry the flag. That's my next goal, to carry the flag during the opening ceremonies, if everyone chooses me.
We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
Living next to you is in some ways like sleeping with an elephant. No matter how friendly and even-tempered is the beast, if I can call it that, one is affected by every twitch and grunt.
Ideas excite me, and as soon as I get excited, the adrenaline gets going and the next thing I know I'm borrowing energy from the ideas themselves.
When I'm writing, I write every day. It's lovely when that's happening. One day dovetailing into the next. Sometimes I don't even know what day of the week it is.
If any player has a bad game it's there in the back of your mind in the next game. There's always a hangover. It is like a wounded animal in a way, as you want to get out there as quick as possible and rectify it.
Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.
We bear witness to the worst of human brutality, retweet what we have witnessed, and then we move on to the next atrocity. There is always more atrocity.
Very often, what is meant to be a stepping stone turns out to be a slab of wet cement that will harden around your foot if you do not take the next step soon enough.
Sometimes we do grip the concert in a human head, and so hold it that in a way we get a record of it into paint, but the vision and expressing of one day will not do for the next.
I even smoke in bed. Imagine smoking a cigar in bed, reading a book. Next to your bed, there's a cigar table with a special cigar ashtray, and your wife is reading a book on how to save the environment.
The youth are very important to me, they're the next generation, but I want to instill in kids, even in playing, that it's never too late and there's no right or wrong way to do anything.
But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
We've talked to the Europeans about it. It's clear if those negotiations fail, then we are agreed with the Europeans that the next step is to take the matter to the U.N. Security Council.
It took us three years to build the NeXT computer. If we'd given customers what they said they wanted, we'd have built a computer they'd have been happy with a year after we spoke to them - not something they'd want now.
I've always been curious about why one man jumps out of a foxhole with a grenade and charges a machine gun nest, and his buddy next to him sits there cowering. And my feeling is that the difference is tiny between the two.
If I'm preparing for something and I've got a huge day the next day, I have to get into character the night before to assess the scene. I can't assess a scene unless I'm in character, if that makes sense.
