We can be certain that cities around the world will compete for the jobs that the next revival of the financial services industry will bring.
I don't have a game plan. I have no idea what I'll be doing next.
It’s not about money or connections — it’s the willingness to outwork and out-learn everyone… And if it fails, you learn from what happened and do a better job next time
I'm as vain as the next guy. I have a facade on right now. But you can't see it, because it's reality-based.
Each night, when I go to sleep, I die. And the next morning, when I wake up, I am reborn.
I always treat each take as a rehearsal for the next take. That way you can find stuff and keep adding and playing until they tell me to stop.
I always have a full-length mirror next to the camera when I'm doing publicity stills. That way, I know how I look.
I touched Roger's bat and held it to my heart. My bat will lie next to his. I'm damn proud of that.
We have achieved two of the three alchemists' dreams: We have transmuted the elements and learned to fly. Immortality is next.
The people are the most important element in a nation; the spirits of the land and grain are the next; the sovereign is the least.
I do know what my first meal in the next world would be... Spaghetti Aglio e Olio, heavy on everything.
A show is like having a climax. It's like having an incredible, natural climax. And then suddenly it's all finished, and you don't know what to do next.
I always put in my 100 percent. Once the film is over, I look at my next, because then it's up to the audience to decide my fate.
There needs to be a planned series of speeches, interviews, etc., over the next two or three months by administration officials and other public figures talking about President Ford, what he is trying to do and what he has accomplished.
I'm like the king of the low-budget sequel. People ask, 'What film are you gonna do next?' 'I don't know, but it's probably got a 3 or 4 in the title.'
I think it is important that you care about the characters, and you are not just waiting for the next action sequence but have a vested interested in what happens to them.
In the midst of global recession, in the face of uncertainty about what's going to happen next, film looks for inspiration to real people.
We don't live in an ancient era. Today, collaboration doesn't mean two singers standing next to each other at the mic to sing together.
Each generation of adolescents has at least two historical events that color its responses to whatever happens next.
I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
My ultimate goal is for that next generation coming up, who didn't see me play, go, 'Oh, he used to play football?'
