Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!
On the national stage and in the neighborhoods of New York, Senator Hillary Clinton has repeatedly put her expertise and power behind solutions that make the lives of the American people safer and more prosperous.
I had no real education because I was in and out of schools so I decided that I would completely change my look, change my image, change my name and move to New York.
Still, the change is nearly indescribable - going from total obscurity to walking down a street in New York and having everybody turn and look; to feel the temperature of a room change when I walked in.
I don't want to leave New York and leave my family. I don't like the distance. I just did a movie in California and it's kind of excruciating to be away from them so I think there is that sense.
If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.
The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story.
Now we understand much more clearly. why people from all over the world want to come to New York and to America. It's called freedom.
My grandfather was from outside of Moscow, and my grandmother, although some of her family were French, was from Odessa. They met as immigrants in New York in the early '20s. My mother's family came over from Ireland generations ago.
I live in a high rise with my family part of the year in New York and I don't know three quarters of the people in the building. We live in the same square-footage and I wouldn't know who they were.
My mother came from an Irish family of 11 kids and, of course, had a sister who was a nun, so I spent time at a convent and with an aunt and uncle who lived in New York and took me to the theater.
I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
My family are very, very religious in Texas. They're Southern Baptists. I left to go to New York when I was 17 and I realised I wasn't Southern Baptist. That's not how I am inclined.
As a layperson, I consider myself fairly well-educated in terms of politics. My family always has been really interested in politics, and various members of my family have a hand in politics in upstate New York.
My life, my family and my friends are back in the U.K., so ideally I would love the kind of career that is split between London and New York.
I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
The whole scale and scope of the decorating and fashion business in this country are incomparably grander than in London. What's thrilling about America in general, and the New York fashion scene in particular, is its optimism. It makes the whole exp...
I knew if I had to struggle, I couldn't struggle in New York. My ego was too big for it. I couldn't be a guy who is starving when I had a very successful business when I was young.
My upbringing was very un-Hollywood... I was born in New York and grew up on a ranch. I was never really smitten by the business in those days, never a fan type - just a basic kid watching TV.
I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.
Los Angeles and New York are the big centers of the music industry worldwide so of course it can be hard for newcomers who don't know what to expect from the music business.