I usually have a couple of projects going on that are different. A 'Sin City' while I'm doing a 'Spy Kids' at the same time. I need different things going on.
I haven't travelled that much before so this is the first time I get to see the big cities of Europe. I've never even been to US.
As I travel the country for away games, I meet kids fighting cancer in almost every city. They visit the ballpark, and I invite them onto the field so we can chat and then watch the game.
I don't sleep very well when I travel. And as a result, I tend to be awake in cities when everyone else is asleep.
Zé Pequeno: Can you read? Gang Member: I can read only the pictures.
Mr. Wall: No more Mr. Quick. Mr. Quick, dead, yes. Stranger: Poor, poor Mr. Quick.
Klump: I can only express puzzlement, which borders on alarm.
Yellow Bastard: [on the phone] And it'd better be perfect or I'm gonna call my dad!
Dwight: First, we gotta rescue Gail. Then comes the kill. The big, fat kill.
Wendy: Kill em' for me Marv. Kill 'em good. Marv: I won't let you down, Goldie.
Marv: [shows up at Lucille's apartment heavily bandaged] It's okay, Lucille. I was just grazed.
Dwight: A hardtop, with a decent engine. And make sure it's got a big trunk!
London changes because of money. It's real estate. If they can build some offices or expensive apartments they will, it's money that changes everything in a city.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
The success of 'The Fighter' made it a lot easier to get 'Broken City' green-lit. And the buzz about 'The Fighter' also made it a lot easier to get 'Contraband' green-lit.
With every record I put out, I got a bit more success, a bigger following in cities I would play in, and occasionally a bit of radio play.
American society as a whole can never achieve the outer-reaches of potential, so long as it tolerates the inner cities of despair.
I started out as a high school teacher in inner-city Chicago and realized quite quickly that my students weren't that motivated.
The Oklahoma City bombing was simple technology, horribly used. The problem is not technology. The problem is the person or persons using it.
My husband hailed from Dagenham; he's an Essex boy. Me myself, I come from Derry City in the northwest of Ireland, so we love to get back.
You'll find little schools of musicians experimenting with different ways of making music in Brooklyn, all through Manhattan, in Queens, in Jersey, you know? The city is still bubbling with creativity.
